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Anatole Litvak
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These f...
The Hidden Cinema
How does film censorship work in Britain? Robertson examines the history of the British Board of Film Censors and shows that censorship has had a greater influence on film history than is often assumed.
Women's Identities at War
There are few moments in history when the division between the sexes seems as "natural" as during wartime: men go off to the "war front," while women stay behind on the "home front." But the very notion of the home front was an invention of the First Worl
The Son of Man Debate
The expression 'Son of Man', used in the Gospels almost exclusively by Jesus, has been the object of intensive study since the Protestant Reformation, yet scholars have come to no agreement on its origin or meaning. Research in this area has been described as 'a veritable mine field' and 'a can of worms'. Because of the scope and complexity of the literature, no comprehensive survey of the subject has been written in the twentieth century. Delbert Burkett's book fills this need. It provides a comprehensive historical overview of the debate from the patristic period to 1996, and gives an evaluation of that research and a summation of the present state of the question. Burkett concludes that despite nineteen centuries of 'Son of Man' study there is no consensus concerning the meaning or origin of the expression; the debate is therefore a prime example of the limits of New Testament scholarship.
