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Bogdanov and His Work
Alexander Bogdanov was a co-founder, with Lenin, of the Bolshevik faction of the Russian Social Democratic Party in 1904. After 1905, Bogdanov criticized Lenin's adaption of Bolshevism to the requirements of Duma politics and his authoritarian style of leadership. Expelled from the Bolshevik fraction in 1909, he at first formed the Forward faction of the RSDRP and then turned increasingly to scholarly and publicistic work. In 1910 he published Faith and Science, replying to Lenin's Materialism and Empiriocritcism, which had been written to discredit him. His ideas on the sociology of culture led to the founding of the Proletkult in 1917 and during the 1920s these ideas were taken up, adapted...
Red Hamlet: The Life and Ideas of Alexander Bogdanov
In this first full-length biography, James D. White traces Alexander Bogdanov’s intellectual development, examining his role in the evolution of Marxist thought in Russia, and his place in the Russian revolutionary movement.
Avant-Garde and Psychotechnics
Avant-Garde and Psychotechnics presents an innovative look at the Russian avant-garde and its cultural encounters with the sciences in the 1920s. The book examines some of the lesser known entanglements between architects, filmmakers and philosophers, on the one hand, and experimental psychologists and physiologists on the other. In Russia, famous avant-garde artists, such as El Lissitzky, Vassily Kandinsky and Dziga Vertov, helped propagate a movement referred to as "psychotechnics" that was emerging at the time in Germany and the United States and eventually led to a "psychotechnical boom." At the end of the story told in the book, it becomes clear that this boom continues to the present d...
Empiriomonism
Empiriomonism is Alexander Bogdanov’s monistic philosophy of being and cognition, which he believed is consistent with both modern science and Marxism. It is of the same order as materialist systems and is the ideology of the productive forces of society.
A Martian Stranded on Earth
Much like Vladimir Lenin, his onetime rival for the leadership of the Bolshevik party during its formative years, Alexander Bogdanov (1873–1928) was a visionary. In two science fiction novels set on Mars, Bogdanov imagined a future in which the workers of the world, liberated from capitalist exploitation, create a “physiological collective” that rejuvenates and unites its members through regular blood exchanges. But Bogdanov was not merely a dreamer. He worked tirelessly to popularize and realize his vision, founding the first research institute devoted to the science of blood transfusion. In A Martian Stranded on Earth, the first broad-based book on Bogdanov in English, Nikolai Krementsov examines Bogdanov’s roles as revolutionary, novelist, and scientist, presenting his protagonist as a coherent thinker who pursued his ideas in a wide range of venues. Through the lens of Bogdanov’s involvement with blood studies on one hand, and of his fictional and philosophical writings on the other, Krementsov offers a nuanced analysis of the interactions between scientific ideas and societal values.
The Philosophy of Living Experience
In The Philosophy of Living Experience, Alexander Bogdanov summarises his philosophy of empiriomonism, situates it in the history of materialist thought, explains the social genesis of each stage of that history, and anticipates his ultimate achievement – universal organisational science.
Art for the Workers
An exploration of the mythology and reality of post-revolutionary proletarian art in Russia as well as its expression in the festive decorations of Petrograd between 1917 and 1920.
A Biobibliographical Dictionary of Russian and Soviet Economists
Featuring nearly 500 entries, and including a detailed contextual introduction, this major new reference work pulls together many years of research in order to present a landmark bio-bibliographic dictionary of Russian and Soviet economists.
Toxic Voices
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
Soviet Hieroglyphics
[The Russian and American contributors] share a very high level of expertise and an impressive command of their material, which ranges from film to billboards to currency. Everything in this book, including the introduction, is worth reading... consistently fascinating... -- Choice... a lightning rush of images and ideas that constitute inviting material for future speculation. -- Times Literary SupplementThis collection of essays is a fine, even an exhilarating piece of work. Her brilliant analysis surveys a kaleidoscope of breaks and continuities: betweeen literature and non-print media, high culture and popular culture, homo sovieticus and homo russicus. -- Slavic and East European Journa...
