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Geraint Goodwin
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The Heyday in the Blood
The village of Tanygraig on the Welsh-English border is the setting for this passionate novel of love and its consequences. Beti, the beautiful and wilful daughter of a pub landlord, is pursued by two men: Llew, her aggressive, red-haired cousin, and Evan, the dreamy miller and would-be poet. She has to make a choice but it's not her future alone that depends on her decision. She and Tanygraig are positioned precariously on borders of class, nation, language, and changing times. In this enduring novel by Geraint Goodwin, first published in 1936, Wales is associated with tradition and stability, England connotes modernity and movement. Beti is conscious of living at a temporal border: 'The old way of things was ending; she had come at the end of one age and the beginning of another. Wales would be the last to go but it was going...'
Whose People?
Wales has a centuries-long history of interest in Palestine and Israel, and a particularly close interest in Jews and Zionism, which has been expressed widely in the literature. Whose People? Wales, Israel, Palestine is the first monograph to explore this subject. It asks difficult and probing questions about the relationship that Wales has had with Palestine in the past, and now has with the Israel-Palestine situation in the present, and it challenges received wisdom about Welsh tolerance and liberalism. Using publications in Welsh and in English across several centuries, this survey examines Welsh missionary efforts and colonial desires in Palestine; complex and contradictory attitudes to ...
The White Farm
A farmer's orphan attends the auction of her stock with the man she intends to marry and the man she loves. A retired boxer who once killed a man is challenged to fight by the local drunk. Two men and a woman stand facing each other on the wasteground behind a country fair, and a successful businessman journeys home to be reconciled with the woman he once raped. In his eye for the unremarked drama of Welsh lives, Geraint Goodwin is the equal of Caradoc Evans or Margiad Evans, yet his feel for atmosphere and detail is reminiscent of Turgenev. In the borderlands between England and Wales, men and women reach out to each other, groping for unity whilst riven by the gap between convention and passion.
The Uncommon Reader
THE SUNDAY TIMES LITERATURE BOOK OF THE YEAR 2017 Over a career spanning nearly fifty years Edward Garnett – editor, critic and publisher’s reader – would become one of the most influential men in twentieth-century British literature. Famed for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for spotting and nurturing the talents of a constellation of our greatest writers. In The Uncommon Reader Helen Smith brings to life Garnett’s fascinating, often stormy, relationships with those writers – from Joseph Conrad to John Galsworthy, D.H. Lawrence to T.E. Lawrence, Henry Green to Edward Thomas. All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries offer an insight into their creative processes, their hopes and fears. Addressing questions of culture, fame and success, this absorbing portrait of a man who shaped the literary landscape as we know it asks us to consider genius – what it is, where it comes from and to whom it belongs.
In the Shadow of the Pulpit
Writer versus preacher: this book shows how this struggle has lain at the heart of Welsh writing and culture for the past two hundred years, intimately shaping the English language literature produced by Wales. Starting with a simple explanation of the history and character of Welsh Nonconformity, it traces the growing textual response to Nonconformity’s hegemonic cultural power from the eighteenth century onwards, culminating in twentieth-century writers’ attempts to undermine it by wresting words from the control of the pulpit. It also uncovers a whole new body of nineteenth-century fiction from Wales, and re-defines Dylan Thomas’s debt to his Nonconformist ancestors.
The Historical Jesus and the Literary Imagination, 1860-1920
A PDF version of this book is available for free in open access via the OAPEN Library platform (www. oapen. org). Fictional reconstructions of the Gospels continue to find a place in contemporary literature and in the popular imagination. Present day writers of New Testament fiction and drama are usually considered as part of a tradition formed by mid-to-late-twentieth-century authors such as Robert Graves, Nikos Kazantzakis and Anthony Burgess. This book looks back further to the late-nineteenth and early-twentieth centuries, when the templates of the majority of today's Gospel fictions and dramas were set down. In doing so, it examines the extent to which significant works of biblical scholarship both influenced and inspired literary works. Focusing on writers such as Oscar Wilde, George Moore and Marie Corelli, this timely new addition to the English Association Monographs series will be essential reading for scholars working at the intersection of literature and theology.
