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The Party of Democratic Socialism in Germany, which includes the papers from the first conference on the PDS in Britain, brings together a range of scholars and politicians from Germany, Britain, France and the USA. It assesses the present position of the party within the German political system shortly before the second 'Superwahljahr' in Germany. It also examines its relations with other post-communist parties in Europe and evaluates the state of its relations with the other political parties competing for the left-of-centre vote in the new Länder. Above all the volume is concerned with the question as to whether the PDS, as the successor party to the former ruling communist party in East Germany, represents a modern form of socialism or is merely a populist reaction to the particular concerns of eastern Germans after unification. The volume will be of particular interest to students and scholars of German and politics who are concerned with developments in Germany and Europe after the collapse of communism. There are twelve contributions to the volume, six in German and six in English.
An original and deeply researched account of travel and festivity in early modern Europe that casts new light, from new angles, on major developments in sixteenth- and seventeenth-century theatre and drama.
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Scaramuzza, Scaramouche: the commedia dell'arte figure made a triumphal entry into German literature in the plays of Caspar Stieler (1632&–1707). Transformed into a master of language and languages, Scaramutza&—social critic, voluptuary, and mouthpiece for his author&—ushers in a new type of comedy that depends more on the happy ending than on laughter for its effect. This study should both establish the significance of the long-neglected dramatic works of Caspar Stieler, already regarded as an important lyric poet of the German Baroque, and serve to initiate a reevaluation of German comedy and of the standard definition of the comic genre used by Germanists as Aikin explores the heroic or romantic comedy as a subgenre of literary merit. The study includes a discussion of Stieler's important contributions to the development of the German-language Singspiel and opera.
Physics and Literature is a unique collaboration between physicists, literary scholars, and philosophers, the first collection of essays to examine together how science and literature, beneath their practical differences, share core dimensions – forms of questioning, thinking, discovering and communicating insights.This book advances an in-depth exploration of relations between physics and literature from both perspectives. It turns around the tendency to discuss relations between literature and science in one-sided and polarizing ways. The collection is the result of the inaugural conference of ELINAS, the Erlangen Center for Literature and Natural Science, an initiative dedicated to buil...
In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of...
Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries. Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a...
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The contributions in this volume are all related to one of Ulrich Broich's main fields of research and teaching, the way stories are told in the various literary genres. The papers range from Chaucer to 20th-century literature; they discuss poems, prologues, plays and novels, French philosophers and English sermons, the Anglo-Boer War and totalitarianism.