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Exile and Gender I
This new volume in the series Yearbook of the Research Centre for German and Austrian Exile Studies, entitled Exile and Gender: Literature and the Press, edited by Charmian Brinson and Andrea Hammel, focuses on the work of exiled women writers and journalists as well as on gendered representations in the writing of both male and female exiled writers. The contributions are in English or German. The seventeen contributions set out to both celebrate and critically examine the concepts of gender and sexuality in exile in a wide range of texts by well-known and lesser known authors, and throw light on many different aspects of gendered authorship and gendered relations. Our volume also looks at ...
Hitler's Exiles
This book is an extraordinary first-hand account of the German Academy in Exile. The Acedemy was established in 1936 as a platform for German intellectuals in America to speak out against Hitler. Its membership covered the leading German-speaking intellectuals who went into exile in opposition to Hitler's National Socialist government - artists, writers, musicians, scientists, philosophers, film directors and arcitects, including Albert Einstein, Sigmund Freud, Thomas Mann, Bertold Brect and many more. Together they helped to shape intellectual and cultural developments in the western world in the second half on the twentieth century. They came together in the Academy to show the world that Hitler and the Nazis were not Germany and that their country could resume its place in the civilised and humane world.
Identity and Image
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
Yearbook of Transnational History
The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This fourth volume is focused to the theme of exile. Authors from across the historical discipline provide insights into central aspects of research into the phenomenon of exile in the nineteenth and twentieth century. Both centuries have seen large numbers of people fleeing revolutions, oppression, persecution, and extermination. This volume is the first publication to provide a comprehensive overview over exiles of various political and ethnic groups beginning with the French Revolution and ending with the transfer of Nazi scientists from post-World-War-II Germany to the United States. This volume contains contributions about the refugees created by the French Revolution, the Forty-Eighters who were forced out of Germany after the failed Revolution of 1848/49, the anarchists Emma Goldman and Alexander Berkman, Vietnamese anti-colonial activists in France, the exiles of Nazi Germany, and the transfer of Nazi scientists such as Wernher von Braun to the United States after World War II.
Contact Zones
Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.
The Memoir of Ilse Seger
Elisabeth "Ilse" Seger was the wife of Gerhart Heinrich Seger, a German Social Democratic member of the Reichstag from 1930 to 1933. He was reelected for the last time on March 5, 1933, shortly after Hitler came to power. A week later, the Nazis arrested him and held him in "protective custody" for three months in a local prison in Dessau and then sent him to Oranienburg concentration camp for six months, until he escaped to Czechoslovakia. In The Memoir of Ilse Seger, Ilse tells Gerhart's story, but more importantly, she tells her own story: of her early resistance to the Nazi regime as a political opponent herself; of her solidarity with the Jews during the early years of Nazi persecution;...
Driven Into Paradise
"This is a long overdue and brilliant contribution to our understanding of the intellectual migration from Europe. The essays in this volume illuminate in new ways the experiences of musicians and scholars who fled Europe."—Leon Botstein, Music Director, American Symphony Orchestra "With a sweep and coherence very rare in essay collections, this volume immediately takes its place as one of the most important publications on twentieth-century music. The range of source materials is dazzling: anecdotes, letters, memoirs, interviews, newspaper articles, musical scores, films, and archival documents. Handled with deft scholarship, they add up to a balanced yet deeply moving account of how figures of exile experienced and transformed American culture."—Walter Frisch, author of The Early Works of Arnold Schoenberg
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Hitler's Refugees and the French Response, 1933–1938
Julius Fein examines the French response to the large number of German refugees between 1933 and 1938. Fein demonstrates how the Quai d’Orsay sought a compromise between the Republican canon, which said France must help the persecuted, and the factors that limited its willingness to accept refugees, including economic depression, mass unemployment, anti-Semitism, and anti-German sentiment.
