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Philosophical Considerations on Contemporary Music
The musical universe of the 20th and 21st centuries is a force-field in which styles, instruments, personalities and stories can be found that are ascribable to conceptual frameworks that may differ greatly one from another. Such complexity cannot be traced back to single theories or all-encompassing interpretations, but may be tackled, philosophically, starting from certain characteristics. This book identifies nine such characteristics: namely, Extremes, Noise, Silence, Technology, Audience, Listening, Freedom, Disintegration, and New Media. Each of these permits us to open up unforeseen philosophical-cultural paths and interpret, in its multifarious variety, the developments of contemporary music, profoundly interwoven with the history of thought, culture and society.
Perspectives on Contemporary Musical Practices
This volume sheds light on the wide range of perspectives on musical activity today, and shows how it can be analyzed from different points of view, working within a diverse theoretical framework. It is organized into three sections, the first of which discusses the changing contexts of musical work compositions over the 20th century. The second part offers a rich and in-depth musical analysis, rigorously connected to the performative and interpretative dimension, while the third considers the relationship between technology and music, and its influence on the creation of new paradigms for musical performance and creation. Covering practical and theoretical problems, the collection will be of great interest to scholars, professionals, students of music, composers, and performers.
The Normativity of Musical Works: A Philosophical Inquiry
What do we mean when we talk about the identity of a musical work and what does such an identity involve? What in fact are the properties that make it something worth protecting and preserving? These issues are not only of legal relevance; they are central to a philosophical discipline that has seen considerable advances over the last few decades: musical ontology. Taking into account its main theoretical models, this essay argues that an understanding of the ontological status of musical works should acknowledge the irreducible ambivalence of music as an “art of the trace” and as a “performative art.” It advocates a theory of the musical work as a “social object” and, more specifically, as a sound artefact that functions aesthetically and which is based on a trace informed by a normative value. Such a normativity is further explored in relation to three primary ways of conceiving and fixing the trace: orality, notation and phonography.
Discipline Filosofiche (2016-2)
Sommario: Giovanni Matteucci, Stefano Marino, Presentazione • Stefano Marino, Giovanni Matteucci, The Dark Side of the Truth. Nature and Natural Beauty in Adorno • Josef Früchtl, Tell Me Lies, and Show Me Invisible Images! Adorno’s Criticism on Film – Revisited • Tom Huhn, The Enigma of Experience; Art and Truth Content • Giuseppe Di Giacomo, Form, Appearance, Testimony: Reflections On Adorno’s Aesthetics • Samir Gandesha, Adorno’s Reading of Endgame: Between Autonomy and Authenticity • Fabrizio Desideri, Ratio, Mimesis, Dialectics: On Some Motifs in Theodor W. Adorno • Giovanni Zanotti, Contingent Antagonism. A Key to Adorno’s Dialectic • Paolo A. Bolaños, The Promise of the Non-Identical: Adorno’s Revaluation of the Language of Philosophy • Filippo Costantini, Cosa mostra la dialettica? Contraddizione, negazione e non identità in Hegel e Adorno • Giacomo Fronzi, Dialettica negativa, metafisica e intersoggettività. Una lettura relazionale del pensiero di Th.W. Adorno • Pietro Terzi, Critica e decostruzione dell’immediato. Adorno e Derrida di fronte a Husserl
John Cage
This annotated bibliography uncovers the wealth of resources available on the life and music of John Cage, one of the most influential and fascinating composers of the twentieth-century. The guide will focus on documentary studies, archival resources, scholarly research, and autobiographical materials, and place the composer and his work in a larger context of postmodern philosophy, art and theater movements, and contemporary politics. It will support emerging scholarship and inquiry for future research on Cage, with carefully selected sources and useful annotations.
The Philosopher's Index
Vols. for 1969- include a section of abstracts.
The Dark Side of the Moon dei Pink Floyd
Arrivato a doppiare il mezzo secolo di vita e coronato da un successo planetario stimato in oltre cinquanta milioni di copie, il disco The Dark Side of the Moon (1973) del gruppo inglese Pink Floyd resta agli atti come uno dei più accattivanti episodi della stagione stilistica del cosiddetto progressive pop e uno dei più riusciti esempi di concept album, ossia un album caratterizzato da un fil rouge tematico che ne attraversa e collega tutti i brani. Ma questo disco, parte delle memorabilia sonore del Novecento, si candida innanzi tutto a essere preso in considerazione per la sua trama formale e per la sua ricchezza strumentale, oltre che per l’aura extraterrestre e per le riflessioni fi...
Le parole della filosofia
Il volume offre a lettori esperti, studenti e semplici amanti della filosofia, una riflessione critica su alcune delle parole che da secoli vengono usate per descrivere non genericamente noi stessi e il mondo, ma specificamente la nostra relazione problematica con alcuni settori dell’esperienza e con alcune pratiche di pensiero. Questo libro sulle metamorfosi delle parole del pensiero rivela, da una prospettiva nuova e affascinante, come la storia delle confluenze e delle rotture dei significati sia la storia della filosofia stessa.
