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The Seven Lively Arts, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures Literature General, Criticism, Collections
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a new release of the original 1929 edition.
Gilbert Seldes, the author of The Stammering Century, writes: This book is not a record of the major events in American history during the nineteenth century. It is concerned with minor movements, with the cults and manias of that period. Its personages are fanatics, and radicals, and mountebanks. Its intention is to connect these secondary movements and figures with the primary forces of the century, and to supply a back- ground in American history for the Prohibitionists and the Pentecostalists; the diet-faddists and the dealers in mail-order Personality; the play censors and the Fundamentalists; the free-lovers and eugenists; the cranks and possibly the saints. Sects, cults, manias,...
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue ...
This book is about the American Arts scene in the early 1920s. Seldes devotes a chapter to each of the arts. These are motion pictures; music; US. theater; dance; journalism; circus and American Wit and Humour. Several prominent practitioners of the time are discussed.
Highly acclaimed classic intelligently and engagingly discusses slapstick, comic strips, vaudeville, and other elements of popular culture and their relationship to such traditional art forms as opera, ballet, drama, and classical music. Author Seldes also pays homage to Charlie Chaplin, Mack Sennett, Irving Berlin, the Marx Brothers, and a host of other celebrities. A must-have book for general readers, students and teachers of the performing arts, and devotees of American popular culture.
Of particular interest, the correspondence documents a largely unexplored aspect of Burke's career--his reciprocally influential relationship with the writers of the late modern and midcentury periods.
"Mark Whalen's compilation offers a vital document for understanding the contexts, intellectual debates, and tensions undergirding Toomer's work, including his simultaneous feelings of attraction to and estrangement from rural southern life, the influence of technology on race and urban existence in America and the contradictory pulls of folk culture and modernist experimentation. The collection also charts the motives underlying Toomer's abandonment of the style that distinguished Cane, and his growing fascination with the teachings of the mystic G. I. Gurdjieff in 1924."--BOOK JACKET.
For more than half a century, James D. Hart's The Oxford Companion to American Literature has been an unparalleled guide to America's literary culture, providing one of the finest resources to this country's rich history of great writers. Now this acclaimed work has been completely revised and updated to reflect current developments in the world of American letters.For the sixth edition, editors James D. Hart and Phillip Leininger have updated the Companion in light of what has happened in American literature since 1982. To this end, they have revised the entries on such established authors as Saul Bellow, Norman Mailer, and Joyce Carol Oates, and they have added more than 180 new entries on...