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A Pulitzer Prize-winning historian offers a brilliant biographical study of George Seldes, one of America's leading champions of American popular culture in the 1920s and 1930s, and traces the amazing growth of popular culture, from silent films and talkies to radio and jazz to the coming of television.
First published in 1956 and then again in 1994. Seldes can be viewed as a pioneer of popularising and giving value to popular culture in his various publications since 1924. The Public Arts first published in 1956 starts with a letter to Jimmy Durante and Edward R. Murrow in which Seldes suggests that news and entertainment are 'part of one field' and that 'the lively arts and the mass media are two aspects of the same phenomenon' which can be captured in the term 'the public arts'. Popular culture refers to the world of situation comedies, comic strips, MTV. radio and television talk shows, football games, standup comedians, mystery stories, popular romance novels, and so on. Elite culture refers to operas, ballets, classical music, masterworks of painting and sculpture, serious novels and plays and other art forms that require, generally speaking, relatively sophisticated sensibilities. Many critics now argue that it is now unauthenticated to argue that popular culture and elite culture are different.
The Seven Lively Arts, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures Literature General, Criticism, Collections
Kammen traces major changes in 20th century American culture through the career of Gilbert Seldes whose book The Seven Lively Arts led to wide debate among intellectuals about the so-called 'popular arts' and their importance to American culture.
Gilbert Seldes, the author of The Stammering Century, writes: This book is not a record of the major events in American history during the nineteenth century. It is concerned with minor movements, with the cults and manias of that period. Its personages are fanatics, and radicals, and mountebanks. Its intention is to connect these secondary movements and figures with the primary forces of the century, and to supply a back- ground in American history for the Prohibitionists and the Pentecostalists; the diet-faddists and the dealers in mail-order Personality; the play censors and the Fundamentalists; the free-lovers and eugenists; the cranks and possibly the saints. Sects, cults, manias,...
In Jazz Age America and Europe few stars burned brighter than Seward Collins, who seemingly had it all - money, breeding, good looks, and literary talent. His friends included Fitzgerald, Dreiser, Mencken, and Hemingway, while among his lovers was Dorothy Parker. Yet, in the 1930s, this glittering creature would announce that he was a «Fascist». This book, useful for any study of the American Jazz Age or world Fascism, explores Collins' curious story, and asks if there might be a Fascist tradition in America, as much a part of the nation as Flag Day and apple pie.
This book is about the American Arts scene in the early 1920s. Seldes devotes a chapter to each of the arts. These are motion pictures; music; US. theater; dance; journalism; circus and American Wit and Humour. Several prominent practitioners of the time are discussed.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Make Way For Lucia, also known as Mapp and Lucia, is a collective name for a series of novels by E. F. Benson about Emmeline "Lucia" Lucas and Elizabeth Mapp. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Several of them are set in the small seaside town of Tilling, closely based on Rye, East Sussex, where Benson lived for a number of years and served as mayor. Contents: Queen Lucia Miss Mapp Lucia in London Mapp and Lucia Lucia's Progress or The Worshipful Lucia Trouble for Lucia The Male Impersonator Desirable Residences Edwar...
The death of Ernest Hemingway in 1961 ended one of the most original and influential careers in American literature. His works have been translated into every major language, and the Nobel Prize awarded to him in 1954 recognized his impact on contemporary writing. While many people are familiar with the public image of Hemingway and the legendary accounts of his life, few knew him as an intimate. With this collection of letters, presented for the first time as a Scribner Classic, a new Hemingway emerges. Ranging from 1917 to 1961, this generous selection of nearly six hundred letters is, in effect, both a self-portrait and an autobiography. In his own words, Hemingway candidly reveals himsel...