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Thinking Across the American Grain
In Thinking Across the American Grain Giles Gunn makes a major contribution to the current revival of pragmatism in America by showing how it provides the most critically resilient and constructive response to the intellectual challenges of postmodernism. Gunn reclaims and refurbishes elements of the pragmatic tradition that either have been lost or have undergone important changes and shows how newer critical approaches have strong roots in the pragmatic tradition. For Gunn, pragmatism is no longer concerned solely with the nature of knowledge and the meaning of truth. Because of its insistence on critical self-awareness, its opposition to closed systems of thought, and its concern with the...
Beyond Solidarity
In this text Giles Gunn asks how human solidarity can be reconceived when its expressions have become increasingly exceptionalist and outmoded, and when the pressures of globalization divide as much as they unify. Drawing on the work of Williams and Henry James, John Dewey, Primo Levi, Richard Rorty and others, as well as postcolonial writings, Jewish literature of the holocaust and the cultural and religious experience of African Americans in slavery, Gunn points pragmatism in a transnational direction and shows how it can better account for the consequences of diversity.
The Pragmatist Turn
In The Pragmatist Turn, renowned scholar of American literature and thought Giles Gunn offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what he calls spiritual imaginaries.Drawing on a large number of figures from earlier periods and examining how they influenced generations of writers from the nineteenth century into the early twenty-first —including Henry Adams, Frederick Douglass, Emily Dickinson, Herman Melville, William James, Henry James, Kenneth Burke, and Toni Morrison—Gunn reveals how the idea or symbolic imaginary of "America" itself was drastically altered in the process. As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.
Ideas to Die For
Cosmopolitanism and Its Discontents seeks to address the kinds of challenges that cosmopolitan perspectives and practices face in a world organized increasingly in relation to a proliferating series of global absolutisms – religious, political, social, and economic. While these challenges are often used to support the claim that cosmopolitanism is impotent to resist such totalizing ideologies because it is either a Western conceit or a globalist fiction, Gunn argues that cosmopolitanism is neither. Situating his discussion in an emphatically global context, Gunn shows how cosmopolitanism has been effective in resisting such essentialisms and authoritarianisms precisely because it is more pragmatic than prescriptive, more self-critical than self-interested and finds several of its foremost recent expressions in the work of an Indian philosopher, a Palestinian writer, and South African story-tellers. This kind of cosmopolitanism offers a genuine ethical alternative to the politics of dogmatism and extremism because it is grounded on a new delineation of the human and opens toward a new, indeed, an "other," humanism.
The Culture of Criticism and the Criticism of Culture
Giles Gunn's important new work is at once a provocative defense of the kind of moral reflection once associated in America with the writings of Lionel Trilling and Edmund Wilson and an acknowledgement that this pragmatic legacy must be reevaluated in the light of challenges posed by structuralist and post-structuralist theory. Including detailed discussions of such thinkers as Kenneth Burke, Clifford Geertz, Mikhail Bakhtin, Richard Rorty, Trilling, and Wilson, Gunn challenges the assumptions of modern criticism with a revised interpretation of pragmatism and its critical legacy. Part critical analysis, part philosophical argument, part literary and cultural history, this work is a carefully delineated vision of what criticism actively engaged in its society can accomplish.
Ideas to Live For
Over the course of his distinguished interdisciplinary career, Giles Gunn has sustained his focus on the continuing threats to our collective sense of the human that seem to result from the link between the collision of fundamental values and the increase of systemic violence. He asks whether such threats can be at least mitigated, even if not removed, by understanding as opposed to force and what resources a more pragmatic cosmopolitanism might provide for doing so. How, in other words, might our sense of the human be reconstructed, not around suspicion or antipathy toward others, but around an epistemological and moral need of them? In this narrativized collection of his essays, Gunn intro...
A Historical Guide to Herman Melville
Essays on Melville's life & writing here make the case for his centrality both to 19th century writing in America & also to America's understanding of itself.
Early American Writing
Drawing materials from journals and diaries, political documents and religious sermons, prose and poetry, Giles Gunn's anthology provides a panoramic survey of early American life and literature—including voices black and white, male and female, Hispanic, French, and Native American. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Reception Histories
In his earlier Rhetorical Power, Steven Mailloux presented an innovative and challenging strategy for combining critical theory and cultural studies. That book has stimulated wide-ranging discussion and debate among diverse audiences—students and specialists in American studies, speech communications, rhetoric/composition, law, education, biblical studies, and especially literary theory and cultural criticism. Reception Histories marks a further development of Mailloux's influential critical project, as he demonstrates how rhetorical hermeneutics uses rhetoric to practice theory by doing history. Reception Histories works out in detail what rhetorical hermeneutics means in terms of poststr...
The Redemption of Tragedy
Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute
