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The Botanical Mind
Humanity's place in the natural order is under scrutiny as never before, held in a precarious balance between visible and invisible forces: from the microscopic threat of a virus to the monumental power of climate change. Drawing on indigenous traditions from the Amazon rainforest; alternative perspectives on Western scientific rationalism; and new thinking around plant intelligence, philosophy and cultural theory, The Botanical Mind Online investigates the significance of the plant kingdom to human life, consciousness and spirituality across cultures and through time. It positions the plant as both a universal symbol found in almost every civilisation and religion across the globe, and the ...
The Other Side
The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men—including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee—without repercussion. The fact that so many radical female artists of their generation—and earlier—also drank deeply from the same spiritual well has been sorely neglected for too long. In The Other Side, we explore the lives and wor...
The Maternalists
The Maternalists is a study of the hitherto unexplored significance of utopian visions of the state as a maternal entity in mid-twentieth century Britain. Demonstrating the affinities between welfarism, maternalism, and psychoanalysis, Shaul Bar-Haim suggests a new reading of the British welfare state as a political project. After the First World War, British doctors, social thinkers, educators, and policy makers became increasingly interested in the contemporary turn being made in psychoanalytic theory toward the role of motherhood in child development. These public figures used new notions of the "maternal" to criticize modern European culture, and especially its patriarchal domestic struc...
A Tale of Mother's Bones
Dr Grace Pailthorpe (1883-1971) and Reuben Mednikoff (1906-1972) began collaborating in 1935. This richly illustrated book includes an expansive new essay that explores how Pailthorpe and Mednikoff used a tale they told about their gender, spiritual beliefs, the critical reception their work recieved, and the rise of Facism. The book also features seven contemporary responses from the fields of art, art history, medical humanties and modern literature, bringing new theories, ideas, and approaches to an understanding and appreciation of seven individual works.00Exhibition: Camden Arts Centre, London, UK (12.04.-23.06.2019).
Allison Katz
A richly illustrated volume—and the first exhibition catalog—of the work of the artist Allison Katz, whose multilayered paintings, ceramics, and posters are both embodied and enigmatic. London-based Canadian artist Allison Katz has been exploring painting’s relationship to questions of identity and expression, selfhood and voice, for more than a decade. Animated by a restless sense of humor, her works articulate what the artist has called a “genuine ambiguity.” Artery—a book that situates itself somewhere between a monograph, exhibition catalog, and an artist’s book—is an exploration of what is within and below, and of the infrastructural arteries that connect all of us. It is published on the occasion of Katz’s first institutional exhibition in the United Kingdom, presented at Nottingham Contemporary (2021) and Camden Art Centre, London (2022). Gathering together essays from Sam Thorne, director of Nottingham Contemporary, and Martin Clark, director of Camden Art Centre, as well as a text by the artist, Artery features 50 full-color image plates of the artist’s work that are supplemented by 150 reference images compiled by Katz herself.
Marine Hugonnier
Edited by Florence Derieux. Text by Martin Herbert, Christian Rattenmeyer.
Moonmilk
2nd ed. of photographs from exhibition. Over the past year, Ryan McGinley and his crew explored huge underground caves, venturing into unknown territory and seeking out spectacular natural spaces, some previously undocumented. The title, Moonmilk, alludes to the crystalline deposits found on the walls of many caves; it was once believed that this substance was formed by light from celestial bodies passing through rock into darkened worlds below. The series, a departure from Ryan's iconic images of the past, firmly places Ryan as one of the most innovative and influential artists of a generation! Moonmilk has been deemed photobook of the year (2009) by the New York Times Magazine!
Jon Pylypchuk
Introduction by Claudia Schmuckli. Text by Gail B. Kirkpatrick. Interview with Robert Enright.
Music and Ethics
It seems self-evident that music plays more than just an aesthetic role in contemporary society. It is thus surprising that the subject of ethics is often neglected in discussions about music. Music and Ethics examines different ways in which music can contribute to theoretical discussions about ethics as well as concrete moral behaviour. Rather than offer a general musico-ethical theory, the book explores ethics as a practical concept, and demonstrates through concrete examples that the relation between music and ethics has never been absent.
The Bruce Lacey Experience
The Camden Arts Centre is surveying the work and life of legendary eccentric British artist, comedian and actor, Bruce Lacey in The Bruce Lacey Experience. The 85-year-old Lacey is known for his surrealist works in sculpture, film and painting and performance.The exhibition aims to convey both Lacey's diverse artistic practice, spanning 60 years of visual culture, and souvenirs from his vibrant life (which includes working with Spike Milligan, The Beatles and Ken Russell).
