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Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
This book provides a narrative history of Italian colonialism from Italian unification in the 1860s to the first decade of the twentieth century; that is, it details Italy’s imperialism in the years of the Scramble for Africa. It deals with the factors that drove Italy to search for territory in Africa in the 1870s and 1880s and describes the reasoning behind the trajectories adopted and objectives pursued. The events that brought Italy to open conflict with the Ethiopian Empire culminating in the Italian defeat at Adowa in March 1896 are central to the book. However its scope is much broader, as it considers the establishment of Italian power in Eritrea as well as Somalia before and after the defeat. By telling its history, it explains why Italy emerged irresolute and humiliated in this, its first thrust into Africa, yet nonetheless determined to pursue expansion in the future. The seeds for the conquest of Libya in 1911 and Ethiopia in 1935 had been sown.
Nationalism, Religious Violence, and Hate Speech in Nineteenth-Century Western Europe critically analyses the role played by different memories of past religious violence in public debates in nineteenth-century Europe. Looking back, European societies often did not seek to overcome their differences and create a framework of peaceful coexistence among various religions and denominations, but rather, more frequently, to fuel intra- and inter-religious hatred. Moreover, various violent pasts were mobilised to define what and who was intolerant, in order to mark the "other" as intolerant and therefore incompatible with societal values. To examine conflicting memories of violence and hatred, thi...
An investigation into the role of Reform Catholicism in the international suppression of the Jesuits in 1773 The Jesuits devoted themselves to preaching the word of God, administering the sacraments, and spreading the faith by missions in both Europe and newly discovered lands abroad. But, in 1773, under intense pressure from the monarchs of Europe, the papacy suppressed the Society of Jesus, an act that reverberated from Europe to the Americas and Southeast Asia. In this scholarly history, Dale Van Kley argues that Reform Catholicism, not a secular Enlightenment, provided the justification for Catholic kings to suppress a society instituted by the papacy. Spanning the years from the mid‑sixteenth century to the onset of the French Revolution, and the Jesuit presence from China to Brazil, this is the only single volume in English to make coherent sense of the series of expulsions that add up to what was arguably the most important religious event in Europe of the time, resulting in the secularization of tens of thousands of Jesuits.
This volume presents recent research on the relationship between the material format of text-bearing artefacts, the texts they carry, and their genre. The essays cover a vast period, from the counting stones of the late 4th millennium BCE to the time of the Great Hittite Kingdom in the 2nd millennium BCE. The breadth of substantive focus allows new insights of relevance to scholars in both Ancient Middle Eastern studies and the humanities.
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.