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If... Stands Up
Steve Bell's If. cartoon strip in the Guardian attracted generations of loyal readers. If. Stands Up is his hilarious commentary on the past six years of political madness. Unmissable highlights include a Jubilee fly-past over Buckingham Palace by Boris Johnson's bottom. Liz Truss taking back control of her own eyeballs. A dead-horse race between zombie 'Treeza' May and pink-rubber fiend David Cameron, towing his bijou shepherd's hut. Rishi Sunak flogging the skeletal remains of Margaret Thatcher. Donald Trump with a golden toilet seat brain. And Keir Starmer, aka Keeves the butler, assuring the toffs that 'the below-stairs movement is realigning its values with those of the British people'....
Prints of a New Kind
Prints of a New Kind details the political strategies and scandals that inspired the first generation of American caricaturists to share news and opinions with their audiences in shockingly radical ways. Complementing studies on British and European printmaking, this book is a survey and catalogue of all known American political caricatures created in the country’s transformative early years, as the nation sought to define itself in relation to European models of governance and artistry. Allison Stagg examines printed caricatures that mocked events reported in newspapers and politicians in the United States’ fledgling government, reactions captured in the personal papers of the politicia...
Hanover and England
When George I, Elector of Hanover, was crowned King of England in 1714, he established a dynastic union between the two countries that endured until 1837, leaving many cultural and political accomplishments to posterity. The 300th anniversary of this union led the Institute of Landscape Architecture, Technische Universität Dresden, and the Centre of Garden and Landscape Architecture (CGL), Leibniz Universität Hannover, to take a critical look at the gardens that resulted. The symposium “Hanover and England: a union of state and garden / German and British garden culture between 1714 and today” was sponsored by the Lower Saxonian Ministry of Science and Culture. The resulting papers dea...
Infinite Jest
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Queen Caroline and the Power of Caricature in Georgian England
This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the ‘injured’ queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news. The Queen Caroline controversy was the zenith of the ‘Golden Age’ of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims to chronicle and analyse this achievement.
Mapping the Magazine
The media and more recently journalism have provided rich areas of study for many years but magazines, perhaps the most prolific single medium, have been largely ignored. Mapping The Magazine aims to redress the balance with an unprecedented collection of original, scholarly, detailed but wide-ranging examinations of the magazine form. Drawing on a variety of theoretical approaches and a wealth of titles from around the world, the contributions demonstrate just how significant the magazine has been, and continues to be, in the realm of journalism and cultural production. From the science magazines of the Victorian era to women’s magazines of South Africa and Israel, via rock music and phot...
Ronald Searle's America
Dispatched to America in the early ’60s, the golden age of illustrative reportage, Ronald Searle spent several years covering everything―in the form of drawings in his trademark satirical and virtuosic style―from sports to politics, for magazines such as The Saturday Evening Post and TV Guide. Topics included Palm Springs, Las Vegas, the Presidential contest between John F. Kennedy and Richard Nixon―as seen through the eyes of a caustic Englishman.
Saul Steinberg
Best known for his barbed and brilliant art for "The New Yorker," Saul Steinberg (1914-1999) turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art.
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Readings in the Anthropocene
Readings in the Anthropocene brings together scholars from German Studies and beyond to interpret the German tradition of the last two hundred years from a perspective that is mindful of the challenge posed by the concept of the Anthropocene. This new age of man, unofficially pronounced in 2000, holds that humans are becoming a geological force in shaping the Earth's future. Among the biggest challenges facing our future are climate change, accelerated species loss, and a radical transformation of land use. What are the historical, philosophical, cultural, literary, and artistic responses to this new concept? The essays in this volume bring German culture to bear on what it means to live in the Anthropocene from a historical, ethical, and aesthetic perspective.
