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Peter Eisenman's eagerly awaited magnum opus - forty years in the making documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio and the Casa Giuliani - Frigerio, both in Como, Italy. This far -reaching study illustrated with finely delineated two - color diagrams, archival drawings from Terragni's studio, and period photographs - employs what Eisenman calls critical and textual readings of both buildings. Eisenman describes the articulations and openings on the facades; these notations provide the basis for his analysis. In the Casa del Fascio, the four sequential design schemes each record the previous state, encoding the process of transformation. In the Casa Giuliani - Frigerio, it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni, on the commissioning, design, and construction of the Casa del Fascio, and a critique by Manfredo Tafuri, the renowned Italian architectural historian and theorist.
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- Monograph dedicated to one of Italy's most talented proponents of Rationalist architecture, Giuseppe Terragni (1904-1943), with a focus on his experience during WWII - Edited by Giuseppe Terragni's great-grandson, president of the Archivio Terragni Giuseppe Terragni, an influential proponent of modernism in Italian architecture and design in the 1920s and 1930s, translated the visual vocabulary of Le Corbusier and Mies van der Rohe into what became known as the Rationalist School of Architecture. This monograph covers his later years (he died in 1943), with a focus on the war and his devastating experience as a soldier. It includes some notable projects from the 1930s like the Casa del Fascio in Como, and the designs for an unrealised final project for a cathedral that he did in the days before his death. The book is illustrated with historical photographs and includes letters Terragni wrote from the front.
Giuseppe Terragni's training as an architect can be placed in the complex starting point of Italian Rationalism, wavering between the Futurist legacy, the metaphysical language of Valori Plastici, and the Classicism of the Novecento - the complex and entirely Italian pathway to modernity, where the form and the aesthetic of the building are subordinated to its technical and practical features. Terragni loved to spend his nights working on a large table "filled with drawings helter-skelter", a cigarette dangling from his mouth in the company of his cat Demiurgo. His fellow workers described him as being big and tall, carelessly dressed, with "heavy and awkward" hands that, however, were skill...
Forty years in the making, "Giuseppe Terragni: Transformations, Decompositions, Critiques" documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study -- illustrated with more than five hundred original architectural diagrams and archival photographs -- employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define ...
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Libeskind's authoritative and original essay and Rosselli's outstanding photography attest to the importance of this pioneer of modernist architecture's work and his continued influence on modern architecture.