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Leonard
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Cura della dipendenza da cocaina. Indicazioni cliniche e organizzative per il trattamento dei pazienti integrati socialmente
Frutto dell’esperienza degli autori, acquisita nel curare oltre 500 pazienti, il volume individua un modello organizzativo e clinico adatto a quanti, pur patologicamente dipendenti da cocaina, hanno conservato un’adeguata rete di sostegno psicosociale.
Grotesque and Caricature
Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.
Leonardo, His Life and Works
“... (Payne) has the gift, as does John Keegan, of using prose to elevate facts, figures, dates and events into the realms of the dramatic.” —Book Reviewer Based on entirely fresh primary research. Leonardo presents important new information and perspectives on one of the most interesting men and greatest geniuses of all time. The following are only a few of the new and controversial findings offered by Payne in this highly readable book. The portrait of a bearded man universally accepted as a self-portrait is actually a drawing of Leonardo’s father. The subject of the Mona Lisa was not the wife of a merchant but the Duchess of Milan. (Among the illustrations in the book are two earl...
Watermarks
"An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientif...
