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The Narratives of Gothic Stained Glass
In The Narratives of Gothic Stained Glass, Wolfgang Kemp examines stained glass painting of Early and High Gothic France and England from a variety of perspectives. Examining narrative structure and themes, authors and donors, Kemp compares these works to epic forms and themes in literature. The first study of stained glass from a narratological standpoint, Kemp's groundbreaking work also relates these paintings to their immediate architectural contexts.
Stained glass and the Victorian Gothic revival
Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.
Paintings on Glass
A volume of articles on French and English stained glass, addressing questions of the original setting of windows in Romanesque and Gothic buildings. The studies range from the 12th-century programme of the Abbey of Saint-Denis to the early hagiographical cycles of the Abbey of Fecamp in Normandy.
Stained Glass
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Stained Glass
Raguin and Pongracz offer a detailed and lavish review of the styles, designs, practitioners, tools, and techniques of stained glass and give the complete history of this exquisite medium.
The Gothic Stained Glass of Reims Cathedral
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
The Queen of Sicily and Gothic Stained Glass in Mussy and Tonnerre
Following the death of St. Louis, a new court fashion of ostentatious display was introduced into French stained glass with the advent of Queen Marie de Brabant, who in 1274 became the second wife of St. Louis's heir Philippe le hardi. Little stained glass in this new style survives, since the very motifs that made it different -- large donor 'portraits, ' elaborate heraldry, lavish name-inscriptions -- were targets of vandalism. This study reconstructs two ensembles in the new style, at Mussy-sur-Seine in southern Champagne & at the medieval hospital of Tonnerre in Burgundy. Both can be connected with the extraordinary figure of Marguerite de Bourgogne. Titled the Queen of Sicily, she was a revered agent of Christian charity of the Gothic era. 50+ illustrations.
