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"Take one inventive genius indebted to the friend who saved his life; add an English aristocrat hopelessly consumed with a selfish and spiritually bankrupt woman; stir together with a Faustian pact to create the perfect woman--and voilà! Tomorrow's Eve is served. Robert Martin Adams's graceful translation is the first to bring to English readers this captivating fable of a Thomas Edison-like inventor and his creation, the radiant and tragic android Hadaly. Adams's introduction sketches the uncompromising idealism of the proud but penurious aristocrat Jean Marie Mathias Philippe Auguste, Count Villiers de l'Isle-Adam, a friend and admired colleague of Charles Baudelaire, Stèphane Mallarmé, and Richard Wagner. Villiers dazzles us with a gallery of electronic wonders while unsettling us with the implications of his (and our) increasingly mechanized and mechanical society. A witty and acerbic tale in which human nature, spiritual values, and scientific possibilities collide, Tomorrow's Eve retains an enduring freshness and edge." --Descripción del editor.
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This is a colourful history of the carnival sideshow and its distinctive banner art. With one hundred colour photographs, the book lovingly surveys this now vanished icon of early rural America, counterpointing classic freak show art with contemporary interpretations. Fifty archival black-and-white photos of sideshows provide a historical context for the banner illustrations.
"This catalogue accompanies the exhibition 'Stranger in Paradise: The Works of Reverend Howard Finster', organized by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, January 29 through March 28, 2010."--Colophon.
Ten thousand years ago, two teenage lovers set out to save their clan. But what they didn’t expect is to end up in the 21st century… Along with two loyal friends, Ty and Sita embark on a daring vision quest, searching a deadly prehistoric forest for a tribe to save their cave-dwelling clan. But when the blood of a beast and Sita’s shamanic potions combine to scramble their psyches, the dark-skinned seekers find themselves thrust from their familiar cave-land world into the technology-driven modern-day city of Los Angeles. Darren, a young filmmaker shooting a carpet commercial on a mountaintop, mistakes the Stone Age kids for a rap group and brings them to his home, where the teens disc...
After having observed the operations of reconstructive surgery and aesthetic surgery, acclaimed figurative painter Jenny Saville was eager to express the violence and anesthetized pain of this experience in her own work. She and fashion photographer Glenn Luchford thus began an artistic collaboration that captures the full range of color, tonality, and topography of live flesh, in large photographic tableaux that portray Saville's own body. Distortions confront and coerce the viewer into an examination of his or her own body and the grotesqueries and beauties inherent within; the images likewise recall biological specimens preserved, disembodied, and disfigured. The collusion of the art and fashion worlds has produced many hybrids in recent years, yet none perhaps none as intensely striking as this series.
A world-famous neurobiologist, Santiago Ramn y Cajal won the Nobel Prize for his scientific research in 1906. The previous year, he published these stories: five ingenious tales that take a microscopic look at the nature, allure, and danger of scientific curiosity. Ramn y Cajal waited almost twenty years to publish these stories because he feared they would compromise his scientific career. Featuring the cutting-edge science of the mid-1880s (microscopy, bacteriology, and hypnosis), they probe the seductive power that proceeds from scientific knowledge and explore how the pursuit of such knowledge alternately redeems and ensnares humanity. Here revenge is disguised as research and common fra...