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Scientific Instruments and Museums
The present volume is organised around two symposia of the XXth International Congress of History of Science, respectively devoted to the history of sundials and to the national inventories of scientific instruments. Separate studies on outstanding instruments, instrument-makers, as well as unknown museums and collections in Spain, Italy, Estonia, and Latin-America were also included.
A London Bibliography of the Social Sciences
Vols. 1-4 include material to June 1, 1929.
Guide to the History of Technology in Europe 2000
The fourth edition of the Guide provides an improved, updated directory of over 1000 individuals and organisations involved in the history of technology. Comprehensive entries for researchers include job titles, addresses, telephone and fax numbers, as well as e-mail addresses, main and subsidiary interests and details of one publication by each researcher. Institutions are listed according to country, and the Guide also gives details of key journals. This directory will be invaluable for academics, researchers, museums and the media and has a place on the desks of all those engaged in the history and development of technology.
Science and Technology in the Islamic World
This volume provides a comprehensive overview of current researches on science in the Muslim-Arab world. The papers deal with the religious and institutional context, mathematics, optics, astronomy, mechanics, natural philosophy, and pharamacology.The present volume also includes a general author index of the 21 volumes that make up the proceedings of the XXth International Congress of History of Science.
Journal of the Society of Christian Ethics
U.S. Institutional subscriptions available for the volume year.U.S. Institutional Rate: $120.00 per year ($60.00 single copy)(Subscriptions are available for the volume year. Titles will be shipped as available, or backordered if not yet published.)
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
