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Hilda Brooks is literally fading away from her anorexia/bulimia disorder-and losing whatever self-esteem she had. An attack by a werewolf in New York City not only changes Hilda into a fierce animal during nocturnal rampages, but impacts her "normal" life as well. Suddenly Hilda's eating disorder becomes a thing of the past. She evolves socially, no longer avoids people-rather she pursues them! Never again the "doormat", Hilda changes into a viable, assertive, twenty-first century woman. She is now a "Wolfbitch," empowered and emboldened. Hilda no longer fears food, she worships it-in the human form. Morbid Cravings is but one woman's journey into the often-troubled world of human relationships. It offers a pleasurable and frightening read, reaching beneath the surface of illusions to the tortured wellspring of prevalent and visible illnesses in today's world-illnesses suffered by so many women of all ages in all walks of life. This novel fosters a refreshingly new feminist outlook to the arena of werewolves and horror alike.
A New You is a true to life story that captures everyday lives. It sends out a powerful positive message to all ages. A New You will walk you through all types of life's downfalls. It represents H.E.L.P. (Healing Every Living Person).
Provides instructions for preparing Chinese-style appetizers, meat, poultry, seafood, egg dishes, vegetables, rice dishes, egg rolls, and sauces, and gives information on menus and cooking techniques.
“Filled with tongue-in-cheek humor…a gently fantastical world brimming with teen shenanigans.” —Publishers Weekly Perfect for fans of Geekerella and Jenn Bennett, this charming, sparkly rom-com follows a wish-granting teen forced to question if she’s really doing good—and if she has the power to make her own dreams come true. Charity is a fairy godmother. She doesn’t wear a poofy dress or go around waving a wand, but she does make sure the deepest desires of the student population at Jack London High School come true. And she knows what they want even better than they do because she can glimpse their perfect futures. But when Charity fulfills a glimpse that gets Vindhya crowned...
This thoughtful and beautifully written book demonstrates compellingly that emotions are central to personality development across the lifespan. Carol Magai and Jeannette Haviland-Jones draw on a wealth of textual and film material to forge an original empirical and theoretical analysis of the dynamics of emotion in human development. For its content, the work examines the lives of three mid-century psychologists, Carl Rogers, Albert Ellis, and Fritz Perls. Each man adopted a unique stance on the question of emotion in personality and in therapeutic interventions and, tellingly, the therapeutic methods they developed necessarily reflected their own emotional dynamics. Drawing on the most important research in clinical, social, and personality psychology, the authors reveal the pervasive influence of emotional organization in the lives of these individuals. Having presented a new approach to personology, autobiography, autobiography, narrative studies, psychotherapy and the theory of emotions on its publication in 2002, this book is essential reading.
Sheriff Matt Simms’ days are numbered. Diagnosed with liver cancer, and waiting for a transplant, Simms remains steadfast to the things that matter: his friends, his wife, and his duty to protect the citizens of Parker County. The series of home invasions on the elderly is sudden, savage, and seemingly without motive. Shaken to his core by the brutality, Simms delves deeper into the attacks, discovering a family’s secrets and a connection to a decades-old crime. Then there’s the missing teen-ager, and a mother unsure what’s happened to her daughter. Meanwhile, Matt struggles to help his friend and former deputy in the wake of a life-changing injury that has driven the man to the brin...
Peter L. Waters has just finished his first year of law school at the University of Michigan. With the help of Jamie, Peters bride-to-be, he lands a great summer job aboard the Great Lakes freighter the Edmund Fitzgerald. Determined to give his future bride the wedding of her dreams, Peter decides to skip the fall semester at law school to work aboard the ship. If all goes well, the bonus hell earn will pay for their wedding and launch their new life in style. The decision will cost him his life. Based on the actual sinking of the Edmund Fitzgerald, which occurred on November 10, 1975, the last days and hours of the crew membersincluding the captain, first mate, cook, a father-and-son engine room team, a lawyer-hating deckhand, and Peterare imagined in this work of contemporary fiction based on a tragic reality in Michigans history. The Edmund Fitzgerald slipped below the waves that fateful November night in 1975, and her story remains one of great sorrow and mystery.
Blood Wars: The Beginning, tells the story of two brothers journey through their new life, one a Vampire the other a Werewolf. While in the shadows a dark prophecy is being fulfilled as the Banished Kings children seek the artifacts to resurrect him.
With this text, the authors intend to offer a practical guide that demonstrates how this partnering can be strategically implemented in all levels of schooling. The main focus of the text is how to plan, implement, and evaluate Family-School Partnering within existing school structures and resources.
Cajun Women and Mardi Gras is the first book to explore the importance of women’s contributions to the country Cajun Mardi Gras tradition, or Mardi Gras “run.” Most Mardi Gras runs--masked begging processions through the countryside, led by unmasked capitaines--have customarily excluded women. Male organizers explain that this rule protects not only the tradition’s integrity but also women themselves from the event’s rowdy, often drunken, play. Throughout the past twentieth century, and especially in the past fifty years, women in some prairie communities have insisted on taking more active and public roles in the festivities. Carolyn E. Ware traces the history of women’s participation as it has expanded from supportive roles as cooks and costume makers to increasingly public performances as Mardi Gras clowns and (in at least one community) capitaines. Drawing on more than a decade of fieldwork interviews and observation in Mardi Gras communities, Ware focuses on the festive actions in Tee Mamou and Basile to reveal how women are reshaping the celebration as creative artists and innovative performers.