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This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.
The book highlights the concept of ontology, relationship between language and ontology, the distinction between ontology and reality, the role of linguistic philosophers in dealing with ontology etc. Apart from these, the eminent scholars address themselves with the ontology behind the value of valuation, exclusion and discrimination, inter-religious dialogue, Indian theories of language, values in cinema, poetic language etc.
Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. Generally, Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers’ complex response in the form of catharsis or everydayness mimesis). However, cinema also needs a new way of discerning with respect to ‘Dalit Representation’. The study needs to look at the construction and meaning of the social language of Hindi cinema. Construction refers to exploring factors beyond the film industry responsible for shaping the social language. Meaning entails the exhibition of social language in the form of messages. Herein, relational exploration becomes crucial. The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits. Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.
In The Fold, Laura U. Marks offers a practical philosophy and aesthetic theory for living in an infinitely connected cosmos. Drawing on the theories of Leibniz, Glissant, Deleuze, and theoretical physicist David Bohm—who each conceive of the universe as being folded in on itself in myriad ways—Marks contends that the folds of the cosmos are entirely constituted of living beings. From humans to sandwiches to software to stars, every entity is alive and occupies its own private enclosure inside the cosmos. Through analyses of fiction, documentary, and experimental movies, interactive media, and everyday situations, Marks outlines embodied methods for detecting and augmenting the connection...
This book reveals the nature of Sino-US strategic competition by examining the influence exerted by major secondary stakeholders, e.g. Japan, Russia, India, the Koreas, and ASEAN, on the two powers, USA and its rival China, who consider each other as a source of greatest challenges to their respective interests. By adopting “strategic triangles” as the analytical framework and assessing triangular relational dynamics, such as US-China-Japan or US-China-Russia, the author illustrates how secondary stakeholders advance their own interests by exploiting their respective linkages to the two rivals, thereby, shaping Sino-US completive dynamics. This work adds a regional and multivariable perspective to the understanding of the Indo-Pacific’s insecurity challenges.
First published in 1900 by William Heinemann, Ltd. Passages of interest to the general reader selected by Cook from his diary and notes of the Belgian Antarctic Expedition, 1897-1899.
Global Media Ethics Global Media Ethics Problems and Perspectives “The book pleads convincingly that news media outlets and practitioners should urgently reconsider their practices and norms in a world gone global and digitally convergent. The various contributions broach the topic from completely different perspectives to create a very stimulating and constructive framework to identify and face the new ethical challenges of journalism and the news media.” François Heinderyckx, Université libre de Bruxelles “News that crosses boundaries of culture and geography means rethinking media ethics. The demands of role, audience, digital transmission, and an industry under fierce economic pr...
China’s territorial disputes with India have been a matter of debate since 1950s. While China has amicably resolved boundary disputes with twelve out of its fourteen neighbouring countries, it is yet to resolve its boundary disputes with India and Bhutan as also its maritime disputes in the South China Sea and East China Sea. This volume looks at the complex dynamics of India–China boundary disputes which remains unresolved. It is still the biggest challenge to the relations between the two countries. From the Indian perspective securing Arunachal and the Indus Watershed is highly important. From the Chinese point of view Karakoram and Xinjiang–Tibet road must be respected. Secondary i...