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Five Plays
Where are all those movements you made, those passions, those sighs, those sentences, those monologues? They're still here somewhere, in this air, in this space. Things like that don't just vanish. (from Shades of Babel)Goran Stefanovski (1952-2018) was an internationally recognised ex-Yugoslav playwright. Four of his five plays published here have never been available in English before. They all illustrate Stefanovski's characteristic use of source material, particularly folk tales and myth, to present a striking vision of the human condition, especially in the extreme circumstances of war, exile and political insecurity. Except for the elegiac Sarajevo, these plays are written in the playwright's favourite genre of tragi-comedy. The short scenes and robust dialogue mark them out as the work of a connoisseur of the language of theatre.The Black Hole, the first play in this collection, is considered by the Italian theatre director Paolo Magelli to be the best European play of the 1980s and is still regularly performed in theatres worldwide.The Conrad Press is proud to be publishing this remarkable, highly engaging, intensely dramatic collection of plays by a master playwright.
Selected Plays
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Proud Flesh
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Alter Ego
Frank, illuminating and poignant immigrant tales from twenty of Europe's writers, artists, politicians and scholars looking back at their roots, their journeys and their divided loyalties.
Shoreless Bridges
Exiles cross borders, become non-mainstream individuals and break through barriers of thought and experience. Forced or chosen detachment can lead to originality of vision, awareness of simultaneous dimensions - in short a writing that challenges boundaries of genre, monolingualism and national literatures. The writers of the Balkan (Slavic) diaspora offer narratives of critical reflection, strange fusions and unions, representative of the new cultural identities of contemporary Europe. This volume presents an interesting combination of original writer's essays (by Tzveta Sofronieva, Goran Stefanovski, Dubravka Ugresic) and academic discussions on the function of such narratives, seeking answers to a number of academic questions, related to the construction of the Self in processes of cultural translation/transmission.
Balkan Blues
Essays, stories and a play set in Yugoslavia. The title piece, written by Dubravka Ugresic, is a satire on murderous folklore, while Bogdan Bogdanovic's The City of Death is on Belgrade.
Let vo mesto
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