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Art as Spiritual Activity
This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys --are only now coming fully to light. In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe's Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index
Jacob Böhme in Three Worlds
Jacob Böhme (1575–1624) has been recognized as one of the internationally most influential German authors of the Early Modern period. Even today, his writings continue to impact fields as diverse as literature, philosophy, religion and art. Yet Böhme and his reception remain understudied. As a lay author, his works were often suppressed and circulated underground. Borrowing Böhme’s idea of “three worlds” or planes of existence, this volume traces the transmission of his thought through three stations: from his first underground readers in Central and Eastern Europe, to the Netherlands, where most of his writings were first published, to Britain, where early translations made him a...
The Unknown Hieronymus Bosch
The paintings of Hieronymus Bosch (1450–1516) have captivated and confounded observers for centuries, leading to wildly varying conclusions on the artist’s spirituality. Kurt Falk presents the first analysis of Bosch’s inner life in light of a hitherto unknown—and now lost—version of one of his seminal works, The Last Judgment, found by the author in Cairo in the mid-1930s. With an introduction by spiritual psychologist Robert Sardello, The Unknown Hieronymus Bosch presents an entirely new way of looking at this art—not through the framework of art history or the notion of a school of painting, but through the spirit. Falk’s analysis reveals the ways in which Bosch addresses cr...
Enlightened Metropolis
Imperial Russia, is was said, had two capital cities because it had two identities: St. Petersburg was Russia's "window to Europe," whereas Moscow preserved the nation's proud historical traditions. Enlightened Metropolis challenges this myth by exploring how the tsarist regime actually tried to turn Moscow into a bridgehead of Europe in the heartland of Russia. Moscow in the eighteenth century was widely scorned as backward and "Asiatic." The tsars thought it a benighted place that endangered their state's internal security and their effort to make Russia European. Beginning with Catherine the Great, they sought to construct a new Moscow, with European buildings and institutions, a Westerni...
Poets Laureate in the Holy Roman Empire
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
Seize the Book, Jail the Author
With the aid of loyal friends, he fled to Hamburg, where he spent most of his remaining years in relative obscurity, all the while continuing his campaign to bring free thinking to the German lands." "Drawing on extensive manuscript and printed collections, Spalding offers the first comprehensive treatment of how Schmidt, a lowly private tutor, challenged one of the most elaborate censorship systems ever devised."--BOOK JACKET.
Thinkers, Saints, Heretics
The authors embark on a broad historical survey of the culture and historyexoteric and esotericof the Middle Ages. Their journey takes in King Arthur and the Celtic mysteries; Francis of Assisi, the Franciscans and the School of Chartres; Thomas Aquinas, Averroes, and the Dominicans; Cabbala and Jewish mysticism; heretics and the Cathars; Templar secrets; more.
Bibliotheca Alchemica Et Chemica: An Annotated Catalogue of Printed Books on Alchemy, Chemistry and Cognate Subjects in the Library of Dennis I. Duveen
Facsimile edition to which is added: Catalogue 62, H.P. KRAUS, The Duveen Collection of Alchemy & Chemistry, supplementing the Bibliotheca Alchemica et Chemica. The Duveen Collection of Balneology.
The Temptation of Paul Hindemith
Focuses on the five-tiered representational structure in which the hermit's conflict and vindication present themselves through Hindemith's opera. Bruhn argues that the opera presents something akin to a confession of the composer's inner conflicts and his decision not to become involved in the Nazi confrontation. Three sections discuss: the dilemma of social responsibility vs. the eremitic quest in the lives of Saint Antony of Egypt, the fictional painter Mathis, and Paul Hindemith; hermits, anchorites, and ascetics as portrayed in literature, art, and music; and the form, content, and interpretation of Mathis der Maler. Appendices include synopses and translations of several operas by Hindemith. Annotation copyrighted by Book News, Inc., Portland, OR
At the Dawn of a New Consciousness
The Italian Renaissance is considered by many to mark the beginning of the modern age. The name itself (literally "rebirth") accurately expresses the innovation that took place during that period. Renaissance thinkers took a vital interest in history, literature, and the arts, focusing on the human world as much as, if not more than, that of God. The rapid development of the arts and sciences reflected their study of the visible, physical world in all its three-dimensional glory. The source of these new impulses, says the author, can be found in what Rudolf Steiner calls the birth of "the consciousness soul"--the faculty for objective self-awareness. Instead of a primarily inward-looking con...
