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Learning to See starts on the assumption that popular/commercial arts are a different kind of activity from avant-garde arts today; but that they represent the same kind of activity that we identify as "arts" historically. It proceeds then to investigate how popular/commercial arts carry out the social functions of historic arts. And it claims that, once we can thereby understand how historic arts worked in and for society, art history becomes a significant new tool for objective historical research as never before.
Discussing North American buildings, this book relates them to time and place, defining and identifying central characteristics, explaining social function and cultural expression. It integrates interior design and social and cultural history from the 17th century to the present.
"... you will not find in Canada much of what is commonly considered Great or Original architecture..." - Alan Gowans, Looking at Architecture in Canada, 1958
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Exploring America's material culture, Common Places reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture. In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow...