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This book considers the growing popularity of solo motherhood via gamete donation and how this type of “cyborg conception” is narrated in medicine, bioethics, fiction, and memoir. It identifies solo mothers as radical women who exist in a space beyond binarity (male/female dual-rearing dynamic) and heteronormative discourse; solo mothers represent, among other diverse family constructions (such as same-sex couples and throuples), a critical intervention in the dominant narrative of the nuclear family which defines the “ideal” reproductive model. This book combines memoir and scholarly research to present a deeply nuanced and rigorous overview of the solo motherhood phenomenon.
This volume was first published by Inter-Disciplinary Press in 2013. The chapters within this volume expose a need to discuss and challenge both the practise of evil and the judgement of acts and persons as being ‘evil.’ The reader will find a diverse and intriguing selection of representative texts and themes, including: discussions of the monstrous, the consideration of evil objects, a reading of the wicked language of lying and ‘bullshitting’, and investigations of madness. A range of literature from medieval to contemporary texts, including poetry, novels, television and cinema, are considered and analysed through cultural and historical contexts in the hopes to extend the discussion that intrigues many of us: what is evil?
Explores how the experience of time in contemporary British novels reveals the persistence of the utopian imagination today.
This book examines the extensive influence of the All-Volunteer Force (AVF) on the past, present, and future of America, demonstrating how the AVF encompasses the most significant issues of military history and defense policy. Throughout the vast majority of its wars during the twentieth century, the United States relied on a mixture of volunteers who chose to serve and conscripts provided through the Selective Service System, known colloquially as the draft. When the United States emerged as a world superpower in the aftermath of World War II, U.S. policymakers also depended on the draft during peacetime. Drawing on primary source documents, this book guides readers through the transition f...
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.
Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.
This book places the 1916 San Francisco Preparedness Day Bombing within the broader context of American radicalism and isolationism during the Progressive Era. A concise narrative and key primary documents offer readers an introduction to this episode of domestic violence and the subsequent, sensationalized trial that followed. The dubious conviction of a local labor organizer raised serious questions about political extremism, pluralistic ideals, and liberty in the United States that continue to resonate in the twenty-first century.
Author of Motherless Brooklyn and The Fortress of Solitude, Jonathan Lethem is one of the most celebrated and significant American writers working today. This new scholarly study draws on a deep knowledge of all Lethem's work to explore the range of his writing, from his award-winning fiction to his work in comics and criticism. Reading Lethem in relation to five themes crucial to his work, Joseph Brooker considers influence and intertextuality; the role of genres such as crime, science fiction and the Western; the imaginative production of worlds; superheroes and comic book traditions; and the representation of New York City. Close readings of Lethem's fiction are contextualized by reference to broader conceptual and comparative frames, as well as to Lethem's own voluminous non-fictional writing and his adaptation of precursors from Franz Kafka to Raymond Chandler. Rich in critical insight, Jonathan Lethem and the Galaxy of Writing demonstrates how an understanding of this author illuminates contemporary literature and culture at large.