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Caravaggio
In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death.
The Master Key to Acting Freedom
In The Master Key to Acting Freedom, Graham Dixon explores the basic principles of Michael Chekhov's approach to acting and shows how it is radically different from many of the practices currently taught to actors and directors.
Renaissance
A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.
Michelangelo and the Sistine Chapel
You cannot stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter—he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over w...
Art
Discover all you need to know about art history in this definite guide. Art: The Definitive Visual Guide brings a gallery of more than 2,500 of the world's finest paintings and sculptures into your home. Spanning 30,000 years, from cave paintings to contemporary art, this stunning chronological exploration of every major artistic movement introduces the major milestones of each period, from the tomb paintings of Ancient Egypt, Qing Dynasty Chinese art, through to 20th century Cubism and African art today. Dedicated spreads explain how art works, for example introducing how artists use colour and composition. A visual timeline of key works gives an overview of the scope of each major movement, and each era and art movement is introduced with key information, placing art in the context of its time.
A Brief History of Comic Book Movies
A Brief History of Comic Book Movies traces the meteoric rise of the hybrid art form of the comic book film. These films trace their origins back to the early 1940s, when the first Batman and Superman serials were made. The serials, and later television shows in the 1950s and 60s, were for the most part designed for children. But today, with the continuing rise of Comic-Con, they seem to be more a part of the mainstream than ever, appealing to adults as well as younger fans. This book examines comic book movies from the past and present, exploring how these films shaped American culture from the post-World War II era to the present day, and how they adapted to the changing tastes and mores of succeeding generations.
Genoa, 'la Superba'
Tells the story of Genoa's journey from obscurity to its status as a merchant-pirate superpower that helped create the medieval world
21st Century Portraits
This striking book explores contemporary portraiture from the past decade. The selection features cutting-edge new work from the international art community and reflects an increasing interest in identity worldwide. Organised thematically, the book examines seven key strands of portraiture: The Body; The Self-Portrait; The Invented Portrait; The Anonymous Portrait; Social Identity; The Celebrity Portrait. With an essay by Sandy Nairne, Director of the National Portrait Gallery, London, that locates contemporary portraiture within a historic tradition, 21st Century Portraits examines current trends, showcasing the wide range of media today's artists are using. This book includes an extensive bibliography and is an essential reference work in the field of twenty-first-century portraiture. It will present many images to academic, curatorial and general audiences, including museum and gallery visitors and general art book buyers in the trade for the first time.
Howard Hodgkin Prints
Howard Hodgkin’s prints represent a parallel and very different achievement from his paintings. They have been internationally celebrated and passionately collected, but never brought together, until now. As a painter, Hodgkin has mostly preferred to create small works using oils and working on wood. As a printmaker, he has challenged the format, techniques and expressive potential of the medium, and has now made over 140 works on paper. Far from seeing them as poor relations to his paintings, he has consistently explored the print medium for its own sake, making astonishingly varied, emotive and persuasive works that are paradoxically unique as well as multiples.
