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This book of essays explores the notion of Italian identity in a wide range of forms, including linguistic identity and unifying concepts evident in Dante's Commedia, environmental studies and issues related to gender and sexuality viewed through the lens of Italian literature, hybrid identity in a migration context, and regional identity with a particular focus on Sicily.
"This volume provides a fresh perspective on the ways in which writers have dealt with the relationship between literature and union, especially in Scottish literary contexts. It interrogates, from various angles, the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England."--Provided by publisher.
Caroline Leakey, writing as Oliné Keese, published her first and only novel, The Broad Arrow, in 1859. It tells the story of Maida Gwynnham, a young middle-class woman lured into committing a forgery by her deceitful lover, Captain Norwell, and then wrongly convicted of infanticide. The novel’s title describes the arrow that was stamped onto government property, including the clothes worn by convict – a symbol of shame and incarceration. With its ‘fallen woman’ protagonist, its gothic undertones and its exploration of the social and moral implications of the penal system, this little-known novel gives an insight into a significant chapter of Australian history from a uniquely female perspective. In this new critical edition, editor Jenna Mead restores material that was cut when the novel was reissued in a radically abridged version in 1886, restoring for the first time in over a century the complete original text of Leakey’s important work.
Contextualizing British short fiction within the broader context of Romantic-era print culture, Tim Killick argues that authors such as Washington Irving, Mary Russell Mitford, and James Hogg championed the use of short fiction during a period predominantly associated with novel-writing and poetry. His book makes a convincing case for the evolution of short fiction into a self-conscious and modern genre, with its own techniques and imperatives, separate from those of the novel.
In new readings of medieval language attitudes and identities, this book concludes that multilingualism informed masculinist discourses, which were aligned against the vernacular sentiment traditionally attributed to Langland and Chaucer.
This is the first book-length study of the legacy and memory of the main military orders in Britain, the Templars and Knights of St. John. It provides a survey from the late 18th to the early 20th centuries using hitherto neglected sources and identifies areas for further research and analysis. The volume first examines the historiography of the Orders, delving past the standard histories to examine their authors, readership, accessibility, advertisements. and reviews. It then discusses the material memory of the Orders, from the Temple Church in London and St. John’s Gate at Clerkenwell to archaeological discoveries and romanticised stained-glass depictions. Turning next to the revival an...
Adelaide Law Review News About Us Advisory Committee For Readers Submitting Proposals Links Contact Adelaide: a literary city Download PDFRead Online Direct Adelaide: a literary city edited by Philip Butterss $33.00 | 2013 | Paperback | 978-1-922064-63-9 | 280 pp FREE | 2013 | Ebook (PDF) | 978-1-922064-64-6 | 280 pp From the tentative beginnings of European settlement to today’s flourishing writing scene, Adelaide has always been a literary city. Novelists, poets and playwrights have lived here; readers have pored over books, sharing them and discussing them; literary celebrities have visited and sometimes stayed; writers have encouraged each other and fought with each other. Adelaide is literary, too, in the sense of having been written about—sometimes with love, sometimes with scorn. Literature has been important not only to the city’s cultural life but to its identity, to the way it has been seen and, most importantly, to the way it has seen itself.