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The Moods of Ginger Mick is a collection of poems about Ginger Mick, the larrikin hero of Gallipoli. On its release it was described by the Bulletin as'finely patriotic' and 'uniquely Australian'. It articulates the Anzac legend through the verses about Mick's feats in the Dardenelles and its values of courage, mateship, nationalism and sacrifice. This new edition of The Moods of Ginger Mick, with an introduction by Philip Butterss, is a part of the Australian Classics Library series intended to make classic texts of Australian literature more widely available for the secondary school and undergraduate university classroom, and to the general reader. The series is co-edited by Emeritus Professor Bruce Bennett of the University of New South Wales and Professor Robert Dixon, Professor of Australian Literature at the University of Sydney, in conjunction with SETIS, Sydney University Press, AustLit and the Copyright Agency Limited. Each text is accompanied by a fresh scholarly introduction and a basic editorial apparatus drawn from the resources of AustLit.
Bugger, rooted, bloody oath... What is it about Australians and swearing? We've got an international reputation for using bad language (Where the bloody hell are ya?) and letting rip with a choice swear word or two has long been a very Aussie thing to do. From the defiant curses of the convicts and bullock drivers to the humour of Kath and Kim, Amanda Laugesen, director of the Australian National Dictionary Centre, takes us on a fascinating journey through the history of Australia's bad language to reveal our preoccupations and our concerns. Bad language has been used in all sort of ways in our history: to defy authority, as a form of liberation and subversion, and as a source of humour and ...
The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book, highly illustrated in full colour, reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of the book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context.
Extensions is a refreshing and stimulating collection of essays that illustrates the diversity of subject matter and the variety of critical approaches now used in English Studies. Covering traditional and contemporary works, this book encourages readers to rethink and rediscover aspects of familiar texts.
This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.
The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field. Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres. This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.
Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark’s contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976. Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark’s writing to b...
This is a pioneering work published here for the first time in its complete form. At a time when Gothic studies still concentrated on traditional European and American Gothic, the author laid the foundations for the exploration of how Gothic conventions were transported and transformed in places remote from Europe. Through a detailed reading of 19th- and 20th-century examples of Canadian and Australian Gothic fiction, this work demonstrates the transformative potential of a once much-maligned mode in what were arguably neglected national literatures.