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In 1936 Graham Rowley went to the still-unexplored west coast of Baffin Island as the archaeologist for a small British expedition - the last in the Canadian North that depended on traditional techniques.Cold Comfort, his acclaimed memoir of this period, captures the way of life in the North before World War II, including the experience of travelling by dogsled over unexplored land. This new edition includes the beginning of Rowley's planned sequel covering his post-war experiences in the Arctic. The additional three chapters describe Operation Musk-Ox, the first military exercise to show that it was feasible to manoeuvre in the Arctic even in winter, and Rowley's work for the Canadian Defense Research Board. An afterword by Susan Rowley and John Bennett expands on Rowley's ongoing involvement in the rapid change that took place from the Cold War to the establishment of Nunavut.
Qaidu (1236-1301), one of the great rebels in the history of the Mongol Empire, was the grandson of Ogedei, the son Genghis Khan had chosen to be his heir. This boof recounts the dynastic convolutions and power struggle leading up to his rebellion and subsequent events.
The Making of an Explorer reveals how George Hubert Wilkins' experiences with the Canadian Arctic Expedition of 1913-16 helped a little-known Australian photographer develop into the world-famous polar explorer Sir Hubert Wilkins. Making extensive use of Wilkins' Arctic diary and other sources, both archival and published, Stuart Jenness provides new information about Wilkins, explorer Vilhjalmur Stefansson, the Canadian Arctic Expedition, and the early history of North America's Western Arctic. Wilkins was originally seconded to Stefansson's Arctic Expedition for a year as its official photographer but circumstances forced him to stay in the Arctic for three years. He spent much of those ex...
A definitive history of the pioneering efforts of Television Northern Canada and APTN.
Robert Flaherty's groundbreaking Nanook of the North (1922) - the chronicle of one year in the life of an Inuit hunter and his family in the Hudson Bay region - was the first full-length anthropological documentary in cinematic history. Before Nanook, Flaherty endured a number of failures, disappointments, and false starts. Drawing from the unpublished diaries of Flaherty and his wife, Frances, Robert Christopher's biography fills in crucial background in the emergence of a documentary film legend. Previous biographical emphasis on Nanook has not only obscured Flaherty's early career but also neglected the critical contributions Frances made to his development as an artist. Robert and France...
How do shape-shifting shamans, a giant cannibalistic bumblebee, and human marriage with animals speak to Canadian Inuit and Siberian indigenous peoples today? How can artists present ancient legend in live performance and film with sensitivity to the source? Why are long multi-layered stories essential for adults and children in an age of commercial television?
In The Marshall Decision and Native Rights Ken Coates explains the cross-cultural, legal, and political implications of the recent Supreme Court decision on the Donald Marshall case. He describes the events, personalities, and conflicts that brought the Maritimes to the brink of a major confrontation between Mi'kmaq and the non-Mi'kmaq fishers in the fall of 1999, detailing the bungling by federal departments and the lack of police preparedness. He shows how political, business, and Mi'kmaq leaders in the Maritimes handled the volatile situation, urging non-violence and speaking out against racism, in contrast to the way federal and regional leaders have responded in other parts of the count...
By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.
Outsiders to the culture have long focused on the physical artifacts of shamanism - like the costume and drum - and on ritual healing practices, but far less is known about the images shamans and storytellers use to entertain, heal, and educate. Van Deusen describes the lives of the people of the Amur during a period of dramatic transition, as they attempt to find some way to relate ancient traditions to an uncertain future. She emphasizes the contributions of women - often overlooked in the literature on shamanism - in traditional and contemporary society, and their concerns with ecology and the education of children. Their magnificent embroidery, illustrated by the author's photographs, echoes these women's stories. The Flying Tiger will appeal to anyone interested in shamanism, storytelling and folklore, Russia, indigenous people, women's studies, and spirituality.
A study of Protestant missionization among the Tsimshianic-speaking peoples of the North Pacific Coast of British Columbia during the latter half of the nineteenth century