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Urban Arabesques
Urban Arabesques examines philosophy as an event of the city and the city as an event of philosophy and how the intertwining of the two generates an urban imaginary. This critique-in-motion of creative figures and conceptual personae from (non) philosophy illuminates the emergence of sense in the city, shows how “transcendental empiricism” operates within it, and how the everyday life of the streets—the ordinariness of experience as well as the screen/projector of urban surfaces—uncovers new pathways for politics, experience, and relationalities. Using Hong Kong as the primary site of thinking yet recognizing that thinking incessantly moves beyond any particular location, the book opens up cities within the city. Traversing Hong Kong reveals how the corners, the money, the trees and the water are involved in philosophy. Combining the linguistic approach found in Heidegger and Derrida, with the more materialist analysis of Serres and Deleuze, the objective of this book is to retheorize the urban and its imaginary—its virtuality, irreality, phantasmicity—with an emphasis on signs, images and rhythms, resonating through philosophy, and beyond.
Pintxos
Jacques Derrida wrote in Glas that "The glue of chance creates sense" and he was almost correct. It is, in fact, the toothpick of reading and writing -- taken in their most expansive senses -- that connects one chance event to another, that binds together, however briefly, the volatility of events. Chance and art: the pleasures of sensuous sensibilities, the distinctions of the conceptual, and the free-flowing sociability of a promenade as the day rounds almost imperceptibly toward the night. Watch out for the drunken philosophers, poets, and painters; listen to the talking parrots and puppets; beware of the marauding pirates and politicians; and marvel at the red hand-prints on the dark walls of caves. Pintxos is best read in a manner similar to nibbling on its namesake, tasted bit-by-bit as you wander from one bar to the next along the evening streets of San Sebastian.
Night Café
Night Cafe is a book for the senses that think. Gray Kochhar-Lindgren takes us through a history of coffee as recorded for and by the thinkers of the 19th and 20th century. The Night Cafe brings together prominent critics, artists, and intellectuals in an encounter which the author describes as a meeting between epistemo-lovers who are equally into rigorous mathematics and the architecture of the tastes. Here's some coffee according to Walter Benjamin, Vincent Van Gogh, Hemingway, Rilke, Ovid, and others. "These amorous notes show a deep, dark passion for philosophy, literature and art-as well as an ardent love of the dispeller of all worries, the drink whose ingestion-and the ensuing though...
TechnoLogics
Adding to the growing field of posthuman or cyborg studies, TechnoLogics explores how our position in the technologized world reorders, in the most radical ways imaginable, our basic experience of the lines governing literary, philosophical, and cultural production. The ancient dream of immortality is now becoming realized through cloning, genetic research, and artificial intelligence, bringing with it the need for new forms of both reading and living in the everyday world. In this emerging cyborg culture, what is to come for us is not predictable but, instead, an open possibility to be shaped by the work of, among others, artists, computer designers, scientists, and writers. Through encounters with Plato, Melville, Marx, Jünger, Heidegger, Freud, Derrida, Baudrillard, and others, Gray Kochhar-Lindgren identifies the causes, characteristics, and links between the most primordial of wishes—immortality—and the highest of high tech, and asks how, in our culture of technocapitalism, we can continue to listen to the faint call of ethics.
Narcissus Transformed
In this book Kochhar-Lindgren interprets Narcissus as thematizing the tragic situation of the postmodern subject. After showing the connections between Cartesian philosophy and narcissism, he elucidates the function of Narcissus as a poetic figure of discourse in the fields of psychoanalysis and modern fiction.
Contemporary Thinking on Transdisciplinary Knowledge
How can we understand what a transdisciplinary (TD) approach might actually comprise of, given its complex and various uses? This book asks the question of leading practitioners in the field of higher education and transdisciplinarity. The emergence of transdisciplinarity has been a response to the often-failed closed-system, discipline-based approaches to solving complex social problems (various reports and definitions may be found in projects reported by the OECD, UNESCO and EU). These failures are often contingent upon disaggregated notions of epistemology and the compounding failures of ontological incongruities that are evident in these discipline-based approaches. Such approaches are not necessarily confined to large, seemingly insurmountable social problems, but apply equally well to issues in educational institutions as workplaces. Transdisciplinary knowledge is in the liberation of new and imaginative understanding of the structured reality of open social systems. It gives rise to generative mechanisms, which are central to relationships of agency and structure.
Philosophy, Art, and the Specters of Jacques Derrida
Although there is a significant literature on the philosophy of Jacques Derrida, there are few analyses that address the deconstructive critique of phenomenology as it simultaneously plays across range of cultural productions including literature, painting, cinema, new media, and the structure of the university. Using the critical figures of "ghost" and "shadow"-and initiating a vocabulary of phantomenology-this book traces the implications of Derridean "spectrality" on the understanding of contemporary thought, culture, and experience. This study examines the interconnections of philosophy, art in its many forms, and the hauntology of Jacques Derrida. Exposure is explored primarily as expos...
The Fragment
This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fr...
Discworld and the Disciplines
This collection of new essays applies a wide range of critical frameworks to the analysis of prolific fantasy author Terry Pratchett's Discworld books. Essays focus on topics such as Pratchett's treatment of noise and silence and their political implications; art as an anodyne for racial conflict; humor and cognitive debugging; visual semiotics; linguistic stylistics and readers' perspectives of word choice; and Derrida and the "monstrous Regiment of Women." The volume also includes an annotated bibliography of critical sources. The essays provide fresh perspectives on Pratchett's work, which has stealthily redefined both fantasy and humor for modern audiences.
