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Murrow's Cold War
In March 1961 America’s most prominent journalist, Edward R. Murrow, ended a quarter-century career with the Columbia Broadcasting System to join the administration of John F. Kennedy as director of the United States Information Agency (USIA). Charged with promoting a positive image abroad, the agency sponsored overseas research programs, produced documentaries, and operated the Voice of America to spread the country’s influence throughout the world. As director of the USIA, Murrow hired African Americans for top spots in the agency and leveraged his celebrity status at home to challenge all Americans to correct the scourge of domestic racism that discouraged developing countries, viewed...
Our Jackie
Tells the story of Jacqueline Kennedy Onassis through her evolving public persona, from campaign wife to First Lady to fallen idol to treasured national icon When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today. Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie evaluates how media coverage of Jacqueline ...
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Imperial Encore
In the 1930s, British colonial officials introduced drama performances, broadcasting services, and publication bureaus into Africa under the rubric of colonial development. They used theater, radio, and mass-produced books to spread British values and the English language across the continent. This project proved remarkably resilient: well after the end of Britain’s imperial rule, many of its cultural institutions remained in place. Through the 1960s and 1970s, African audiences continued to attend Shakespeare performances and listen to the BBC, while African governments adopted English-language textbooks produced by metropolitan publishing houses. Imperial Encore traces British drama, bro...
Key to the Northern Country
The Hudson River Valley, which George Washington referred to as the "Key to the Northern Country," played a central role in the American Revolution. From 1776 to 1780, with major battles fought at Saratoga, Fort Montgomery, and Stony Point, the region was a central battleground of the Revolution. In addition, it witnessed some of the most dramatic and memorable aspects of the war, such as Benedict Arnold's failed conspiracy at West Point, the burning of New York's capital at Kingston, and the more than six-hundred-mile march of Washington and the Continental Army and Jean Baptiste Donatien de Vimeur, comte de Rochambeau, and his French Expeditionary Corps to Yorktown, Virginia. Compiled from essays that appeared in the Hudson Valley Regional Review and the Hudson River Valley Review, published by the Hudson River Valley Institute, the book illustrates the richly textured history of this supremely important time and place.
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The Media Offensive
World War II was a media war. President Franklin D. Roosevelt used the press to a great extent, of course, but as the war progressed, the media also came to influence commanders’ decisions on the battlefield. Rescuing General Douglas MacArthur from the Philippines in deference to public opinion forced the Allies to divide the Pacific War between two competing theaters. Omar Bradley’s concern over US public opinion convinced General Dwight D. Eisenhower to include Americans in the final assault against Axis forces in Tunisia. General George S. Patton Jr. raced across Sicily to gain media attention and British respect. General Mark Clark’s hunger for publicity and the glory of capturing ...
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The American Film Institute and the Cultural Politics of Experimental and Independent Cinema
This book examines the role that the American Film Institute (AFI) had in supporting experimental and independent cinema at a key moment of change in the history of American film. Weaving a rich historical narrative, Ramirez argues that the Cold War struggle for cultural supremacy motivated the creation of the federally-funded AFI. Exploring the intersection of business interests and political objectives, Ramirez demonstrates how the AFI’s approach to experimental and independent cinema was marked by an interest in promoting innovative aesthetics and protecting the creative freedom of filmmakers but lacked the attention to distribution and exhibition that would strengthen the viability of experimental and independent filmmaking as professional practices. Scholars of film, history, and American studies will find this work particularly useful.
