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Winner of the hegelpd–prize 2022 Contemporary philosophical discourse has deeply problematized the possibility of absolute existence. Hegel’s Foundation Free Metaphysics demonstrates that by reading Hegel’s Doctrine of the Concept in his Science of Logic as a form of Absolute Dialetheism, Hegel’s logic of the concept can account for the possibility of absolute existence. Through a close examination of Hegel’s concept of self-referential universality in his Science of Logic, Moss demonstrates how Hegel’s concept of singularity is designed to solve a host of metaphysical and epistemic paradoxes central to this problematic. He illustrates how Hegel’s revolutionary account of unive...
Abandoned by his wayward mom, Daniel is consigned to spend the summer with his widower granddad in a Rhode Island beach town, where the locals don’t look kindly on city kids. But his hapless vacation turns around when he meets Izzy: tough-acting, back-sassing, beguiling, and taken. This feisty romantic comedy follows a passing fling that could last a lifetime—as impossible and charmed as an Indian summer.
While indeterminacy is a recurrent theme in philosophy, less progress has been made in clarifying its significance for various philosophical and interdisciplinary contexts. This collection brings together early-career and well-known philosophers—including Graham Priest, Trish Glazebrook, Steven Crowell, Robert Neville, Todd May, and William Desmond—to explore indeterminacy in greater detail. The volume is unique in that its essays demonstrate the positive significance of indeterminacy, insofar as indeterminacy opens up new fields of discourse and illuminates neglected aspects of various concepts and phenomena. The essays are organized thematically around indeterminacy’s impact on various areas of philosophy, including post-Kantian idealism, phenomenology, ethics, hermeneutics, aesthetics, and East Asian philosophy. They also take an interdisciplinary approach by elaborating the conceptual connections between indeterminacy and literature, music, religion, and science.
Three dark comedies by award-winning playwright Gregory S Moss. sixsixsix is a "wickedly cunning take on Faust" (Flavorpill), a metaphysical revenge tragedy about the daughter of a renowned scientist seeking to punish her famous father for her mother's death. House of Gold is a surreal investigation of the notorious murder of an American beauty queen. "Over the top and yet heartbreakingly real... a creepy and surprisingly profound play" (L.A. Times). Billy Witch is a dark comedy about growing up, summer camp, haunted cabins and animal instincts. "Half Wet Hot American Summer and half Hedwig and the Angry Inch" (Wilmington Star), Billy Witch "takes the familiar ingredients of high school horror - summer camp, a lake, ghost stories - and hurls them into a whirlwind of comic sexual awakening" (The New York Times). This edition includes original papercut illustrations by Dylan Metrano. A Burst & Bloom book.
In "Yoo-Hoo and Hank Williams," Gregory S. Moss s quirkily re-imagined version of the American South in the fifties, the Yoo-Hoo Girl is a shy, eccentric romantic, fond of her fantasies and of instant foods (Rice-a-Roni, Jell-O, Salisbury steak TV dinners ), movie star magazines, Elvis, and of course Hank Williams. Her neighbors? They re pretty dreamy and eccentric too the Paperboy; big, loud Amy; and the old lady Madeleine aka Batty, who s prepared to wait out a nuclear strike in her basement with old Sears catalogs and lemonade to sustain her. Life here is crazy but simple, but then gets more crazy, more complicated, and more real, when the seductive Salesman turns up at the Yoo-Hoo Girl s house. A favorite with actors for its powerful, poignant, and highly original monologues and scenes, "Yoo-Hoo and Hank Williams "is a dark, absurdist delight."
Ernst Cassirer and the Autonomy of Language examines the central arguments in Cassirer’s first volume of the Philosophy of Symbolic Forms. Gregory Moss demonstrates both how Cassirer defends language as an autonomous cultural form and how he borrows the concept of the “concrete universal” from G. W. F. Hegel in order to develop a concept of cultural autonomy. While Cassirer rejected elements of Hegel’s methodology in order to preserve the autonomy of language, he also found it necessary to incorporate elements of Hegel’s method to save the Kantian paradigm from the pitfalls of skepticism. Moss advocates for the continuing relevanceof Cassirer’s work on language by situating it wi...
A revisionist account of interwar EuropeÕs largest Jewish community that upends histories of Jewish agency to rediscover reckonings with nationalismÕs pathologies, diasporaÕs fragility, ZionismÕs promises, and the necessity of choice. What did the future hold for interwar EuropeÕs largest Jewish community, the font of global Jewish hopes? When intrepid analysts asked these questions on the cusp of the 1930s, they discovered a Polish Jewry reckoning with Òno tomorrow.Ó Assailed by antisemitism and witnessing liberalismÕs collapse, some Polish Jews looked past progressive hopes or religious certainties to investigate what the nation-state was becoming, what powers minority communities ...
Where do we come from? Are we merely a cluster of elementaryparticles in a gigantic world receptacle? And what does it allmean? In this highly original new book, the philosopher Markus Gabrielchallenges our notion of what exists and what it means to exist. Hequestions the idea that there is a world that encompasseseverything like a container life, the universe, and everythingelse. This all-inclusive being does not exist and cannot exist. Forthe world itself is not found in the world. And even when we thinkabout the world, the world about which we think is obviously notidentical with the world in which we think. For, as we are thinkingabout the world, this is only a very small event in the wo...
A history of America in the 1980s, an idiosyncratic genealogy of punk rock music, and a personal narrative of growing up as an outsider, punkplay is a mix tape tribute to the excesses and energy of adolescence. Mickey, a thirteen-year-old suburban misfit, is befriended by an angry runaway named Duck. Together, the boys attempt to reinvent themselves using punk rock, but as reality threatens to crash in on them, their fabricated world of amped-up music and shocking band names becomes just as oppressive as the society they're desperate to reject.
A New York Times Bestseller From #1 New York Times bestselling author Julia Quinn comes the story of Gregory Bridgerton, in the final installment of her beloved Regency-set novels featuring the charming, powerful Bridgerton family, now a series created by Shondaland for Netflix. GREGORY’S STORY Unlike most men of his acquaintance, Gregory Bridgerton believes in true love. And he is convinced that when he finds the woman of his dreams, he will know in an instant that she is the one. And that is exactly what happened. Except ... She wasn’t the one. In fact, the ravishing Miss Hermione Watson is in love with another. But her best friend, the ever-practical Lady Lucinda Abernathy, wants to s...