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The Routledge Handbook of Black Canadian Literature offers a comprehensive overview of the growing and increasingly significant field of Black Canadian literary studies. Including historical and contemporary analysis, this volume is an essential text that maps the field over the almost 200 years of its existence across a range of genres from slave narratives to prose fiction, poetry, theatre, and dub and spoken word. It presents Black Canadian literature as encompassing a diverse set of viewpoints, approaches, and practices, touching every aspect of Canadian territory and life, and as deeply influencing debates and understandings of Black peoples far beyond its borders. This Handbook employs...
Birthed at the popular open-mic series, La Parole, T-Dot Griots is an intimate journey through previously undocumented Canadian experiences, reporting from Toronto's black communities in fiction, poetry, articles, plays and songs. The book features contributions by over forty writers of African descent, either raised in or residing in Toronto. The griot is a West African storyteller, traditionally responsible for presiding over all of the important milestones in the life a community. T Dot Griots is a window into the communities occupied by black Canadian artists depicting their experiences living in the African diaspora. The griot carried the important function of preserving the community's...
Examines the state of African poetry today, the continuing influence of Africa's pioneer poets, today's new generation of poets, and their work in written poetry and in the spoken word, continuing oral indigenous traditions. Almost half a century after ALT 6 and thirty-three years after ALT 16, what is the state of poetry and poetics in Africa? This volume of ALT highlights major developments and continuities in the practice of the art of poetry in the continent. Contributions analyse new frontiers in the traditional African epic and the Yoruba oríkì genre and innovations in form and theme, such as 'spoken word poetry' shared on digital media and pandemic poetry in the wake of COVID-19. Th...
The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960s–early 1990s); the Janusian wave (1990s–2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa). Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, ...
This book demonstrates how humans can become sensitized to, and intervene in, environmental degradation by writing, reading, analyzing, and teaching poetry. It offers both theoretical and practice-based essays, providing a diversity of approaches and voices that will be useful in the classroom and beyond. The chapters in this edited collection explore how poetry can make readers climate-ready and climate-responsive through creativity, empathy, and empowerment. The book encompasses work from or about Oceania, Africa, Europe, North America, Asia, and Antarctica, integrating poetry into discussions of specific local and global issues, including the value of Indigenous responses to climate chang...
This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations t...
Sọ̀rọ̀sóke: An #Endsars Anthology began as a digital archive of poetry on the EndSARS movement of 2020 on BrittlePaper, functioning as a real-time repository of poetic thoughts on the protests against police brutality that took place both online and in numerous Nigerian locations. This print edition of the anthology rearticulates similar poetics of resistance, emphasizing the activist voice of a new generation of writers resisting the tyranny of silence and state violence.
In the wake of violent outbursts over the creation of a new local government area by the then military regime, two warring tribes, the Ijaws and the Itsekiris with an age-old ax to grind come head to head in a bloody and brutal battle for land ownership throwing a once peaceful and lovable city into chaos. Set in March of 1997 in the war-torn city of Warri, Nigeria, BONFIRES OF THE GODS tell heartrending fictitious accounts of real-life experiences of people who had suffered great losses during the violent outrage. It tells a story of love and hate, of life and death, and of a quest for survival in one's own homeland.
In this groundbreaking collection of poems, Sacrament of Bodies, Romeo Oriogun fearlessly interrogates how a queer man in Nigeria can heal in a society where everything is designed to prevent such restoration. With honesty, precision, tenderness of detail, and a light touch, Oriogun explores grief and how the body finds survival through migration.
Echezonachukwu Nduka's sophomore poetry collection, Waterman, situates itself in enchanting musicality while exploring themes on innocence, memory, religion, music, and the complex corridors of political history. In Waterman, the metaphysical is interspersed with the quotidian, the philosophical, leaving us with timeless writing that takes readers on a journey of imagination and the rediscovery of humanity in all its glories and shortcomings.A concert pianist of Nigerian origin, Nduka's Waterman is symphonic, reflective, evocative, yet damning. This book is, in many ways, a testament to how the author views the world through the lens of music.