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La pandemia causada por la COVID-19, marca un cambio en la forma de interacción social, en la educación, en el acceso a la información, en los negocios, entre otros, generando la aparición de nuevas formas de uso de las tecnologías de la información y la comunicación (TIC), como el teletrabajo, la inteligencia artificial, la robótica y el comercio electrónico. Este libro explora las actuales condiciones en cuanto a la búsqueda de formas seguras y confiables de canales digitales para obtener información, comunicación y formación científica, dando la respuesta oportuna a los requerimientos sociales como parte de la vinculación universitaria, precautelando la seguridad sanitaria de la sociedad.
A comprehensive, historical encyclopedia that covers the full range of Latina economic, political, and cultural life in the United States.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
The author presents the history evolution of the mosaic production since ancient Greek and Roman tiles and Pre-Columbian mosaic pieces along the history of "Mosaicos Venicianos de Mexico", a factory and workshop owned and operated by the Perdomo family for over 50 years. In the workshop located in Cuernavaca (state of Morelos, Mexico) several generations of mosaicists have produced glass Byzantine mosaic tiles while upholding the highs tandards of the traditional craft of the tesserae with extraordinary examples of contemporary mosaic art displayed in murals and architectural ornamentation. The company has participated with artists Jose Chavez Morado, Diego Rivera, Juan O'Gorman, David Alfaro Siqueiros and Francisco Eppens amongst others in the creation of monumental public mosaic murals"--Provided by vendor.
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Best known for his epic mural production, Mexican artist Diego Rivera was also an important easel painter and--as this book eloquently demonstrates--an extraordinary illustrator. This volume takes a detailed and long-overdue look at this rich and significant facet of Rivera's immense oeuvre: the illustrations he contributed to books and periodical publications over the course of his long career. Accompanying the numerous reproductions is a long and splendidly researched essay by noted art critic Raquel Tibol, an expert on the artist's work. The panorama of Rivera's themes--Modernist poetry, political issues, Mexican folklore, pre-Columbian America and many others--take the reader on a tour of the history of Mexican art in the first half of the twentieth century. Even those who think they know Rivera's work will find new aspects to explore in this beautiful book.