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Beirut Round Trips
Guillaume de Sardes is a photographer, video artist, curator, and writer. In this, his photographic essay of Beirut, he invites the observer into his personal universe. Guided by desires, curiosity, and chance, De Sardes wanders like a flaneur, discreetly discovering the city without any tourist map or plan. It is a hybrid narrative composed of images that are subtly composed, even when depicting the scars left by the city's brutal history, collisions of past and future. Through lyrical interjections provided by short texts, he describes his experiences in the city, creating a cinematic travelogue situated somewhere between dream and reality. With essays by Simone Klein and Rayya Badran.
Soft Power Beyond the Nation
"This edited volume takes a distinct approach to the study of soft power in history, moving beyond the framework of the nation-state. The editors of this volume use "soft power" as a broad label to refer to the processes through which persuasion, the search for influence and power, and public opinion as an actor in foreign affairs, converge in the international arena. The book has been organized around three central themes: the circulation of knowledge and strategies across borders; collaboration of intermediary actors who have their own agencies and interests; and non-national identities, such as gender and race. The book also broadens the typical temporal and geographic understanding of soft power, starting in the nineteenth century and including cases from the Global South. It argues that the pursuit of soft power has been a global phenomenon, including regions that have been neglected in the general debates on the subject, such as Africa, Asia, and Latin America. These arguments and themes are explored through ten chapters that offer a powerful new interdisciplinary perspective on soft power for scholars and students of history and international relations"--
Moroccans
Leila Alaoui a réalisé sa série "Les Marocains" entre 2010 et 2014. Il ne s'agit pas de scènes de la vie quotidienne mais - au sens le plus fort et le plus classique du mot - de portraits. Réalisés à l'aide d'un studio mobile à travers tout le Maroc, ils s'inscrivent dans la ligne du travail de Richard Avedon. Ils sont réunis aujourd'hui dans un catalogue à l'occasion de l'exposition qui se tient au musée Yves Saint Laurent de Marrakech du 30 septembre 2018 au 5 février 2019. Révélant les costumes traditionnels marocains de différents groupes ethniques, arabes comme berbères, "Les Marocains" est non seulement une oeuvre d'art, mais aussi une archive qui garde la trace de traditions qui tendent à disparaître sous les effets de la mondialisation. Leila Alaoui (1982-2016), photographe et vidéaste franco-marocaine, est décédée lors d'un attentat à Ouagadougou en 2016 alors qu'elle effectuait un reportage pour Amnesty International. Son travail engagé et empreint d'humanisme est régulièrement publié et exposé à travers le monde.
Nijinsky's Feeling Mind
Nijinsky's Feeling Mind: The Dancer Writes, The Writer Dances is the first in-depth literary study of Vaslav Nijinsky's life-writing. Through close textual analysis combined with intellectual biography and literary theory, Nicole Svobodny puts the spotlight on Nijinsky as reader. She elucidates Nijinsky's riffs on Tolstoy, Dostoevsky, and Nietzsche, equating these intertextual connections to "marking" a dance, whereby the dancer uses a reduction strategy situated between thinking and doing. By exploring the intersections of bodily movement with verbal language, this book addresses broader questions of how we sense and make sense of our worlds. Drawing on archival research, along with studies...
BEIRUT
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Le fief de Prosny
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Confessions of a Plagiarist
Literary Nonfiction. Memoir. In college, Kevin Kopelson passed off a paper by his older brother Robert as his own. In graduate school, he plagiarized nearly an entire article from a respected scholar, and then later, having met her and been asked if he would send something for her to read, sent that essay he had plagiarized from her work. This is not to mention the many instances in which he quoted others extensively, not passing their work off as his own, but substituting it for his own words when his words were what were called for. Until recently, such plagiarisms and thefts had been his most shameful secret, shared only with a trusted few. But then Kopelson—now an English professor and...
Newton, Riviera
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Philippe Grandrieux
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. In this volume, the first book-length study of the work of Grandrieux in any language, Greg Hainge provides an overview and critical analysis of Grandrieux's entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and prize-winning feature films. As well as providing an overview, the book argues that a critical appraisal of his work necessarily leads us to problematize many of the critical orthodoxies that have been formed in recent times, to reject the concept of a haptic cinema and to supplant this instead with the idea of a sonic cinema.
