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Quim Monzó (born Barcelona, 1952) is considered Catalonia's most influential contemporary author, his work studied as a catalyst for the modernization of Catalan culture after General Franco's death in 1975. Analysing Quim Monzó's trajectory from countercultural artist in 1970s Barcelona to celebrity intellectual in the present day, Colom-Montero argues that Monzó's work encapsulates many of the cultural, aesthetic and political tensions in post-Francoist Catalonia. Offering first-time English-language analyses of Monzó's multifaceted artistic trajectory (including political cartoons, translations, journalistic writing, media collaborations and social media persona) as well as new close readings of some of his better-known literary texts, Colom-Montero maps the paradigmatic cultural shifts that have characterized the transition from late Francoist to autonomous and post-referendum Catalonia. At a time of deepening divisions between Catalonia and Spain, in this book Monzó emerges as an author and public intellectual aiming to build a Catalan politico-cultural sphere different from and opposed to that of Spain.
Placing Eastern Europe in a global context, this provides new perspectives on the political, economic, and cultural transformations of the late twentieth century.
The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.
This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).
Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. S...
As Spain's New World colonies fought for their independence in the early nineteenth century, an anonymous author looked back on the earlier struggle of native Americans against the Spanish conquistadores and penned this novel, Xicoténcatl. Writing from a decidedly anti-Spanish perspective, the author describes the historical events that led to the march on Tenochtitlán and eventual conquest of the Aztec empire in 1519 by Hernán Cortés and his Indian allies, the Tlaxcalans. Xicoténcatl stands out as a beautiful exposition of an idealized New World about to undergo the tremendous changes wrought by the Spanish Conquest. It was published in Philadelphia in 1826. In his introduction to this first English translation, Guillermo I. Castillo-Feliú discusses why the novel was published outside Latin America, its probable author, and his attitudes toward his Spanish and Indian characters, his debt to Spanish literature and culture, and the parallels that he draws between past and present struggles against Spanish domination in the Americas.
An exploration of how writers, artists, and filmmakers expose the costs and contest the assumptions of the Capitalocene era that guides readers through the rapidly developing field of Spanish environmental cultural studies. From the scars left by Franco's dams and mines to the toxic waste dumped in Equatorial Guinea, from the cruelty of the modern pork industry to the ravages of mass tourism in the Balearic Islands, this book delves into the power relations, material practices and social imaginaries underpinning the global economic system to uncover its unaffordable human and non-human costs. Guiding the reader through the rapidly emerging field of Spanish environmental cultural studies, wit...
Quim Monzó (born Barcelona, 1952) is considered Catalonia's most influential contemporary author, his work studied as a catalyst for the modernization of Catalan culture after General Franco's death in 1975. Analysing Quim Monzó's trajectory from countercultural artist in 1970s Barcelona to celebrity intellectual in the present day, Colom-Montero argues that Monzó's work encapsulates many of the cultural, aesthetic and political tensions in post-Francoist Catalonia. Offering first-time English-language analyses of Monzó's multifaceted artistic trajectory (including political cartoons, translations, journalistic writing, media collaborations and social media persona) as well as new close ...
This volume attempts to equip the English-speaking reader with a fuller understanding of the uniqueness and quality of the culture of Catalonia by providing a comprehensive portfolio of the creative contribution of the nation across a broad spectrum of achievement.
How does popular culture reflect and shape identity politics in the secessionist climate of contemporary Catalonia?