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"Heirs of Flesh and Paper" tells the story of early modern dynastic politics through subjects’ practical responses to royal illness, failing princely reproduction, and heirs’ premature deaths. It treats connected dynastic crises between 1699 and 1716 as illustrative for early modern European political regimes in which the rulers’ corporeality defined politics. This political order grappled with the endemic uncertainties induced by dynastic bodies. By following the day-to-day practices of knowledge making in response to the unpredictability of royal health, the book shows how the ruling family’s mortal coils regularly threatened to destabilize the institutionalized legal fiction of kingship. Dynastic politics was not only as a transitory stage of state formation, part of elite cooperation, or a cultural construct. It needs to be approached through everyday practices that put ailing dynastic bodies front and center. In a period of intensifying political planning, it constituted one of the most important sites for changing the political itself.
After the Revolution of 1848 the University of Vienna was moved away from the center of the city. Only after the city walls were razed in 1884 did the university acquire a new home on Ringstrasse in the immediate vicinity of the City Hall, Parliament and Court Theater. Once academic freedom had been attained and the educational system restructured on the basis of the Humboldtian model, the new university palace soon became a symbol of the emergence of modern science in Austria. A 'historical stroll' leads the reader through the important stations of the general history of the university, pointing to aspects of the architectural history of the building, the construction and artistic design. The book not only gives an impression of the historical rooms but also offers a glimpse behind the scenes. The striking constructional changes are described against the backdrop of the more than 120 years of rich history associated with the "house on the Ring".
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the re...
This book explores the various ways imperial rule constituted and shaped the cities of Eastern Europe until the First World War in the Tsarist, Habsburg, and Ottoman empires. In these three empires, the cities served as hubs of imperial rule: their institutions and infrastructures enabled the diffusion of power within the empires while they also served as the stages where the empire was displayed in monumental architecture and public rituals. To this day, many cities possess a distinctively imperial legacy in the form of material remnants, groups of inhabitants, or memories that shape the perceptions of in- and outsiders. The contributions to this volume address in detail the imperial entang...
In Vienna at the turn of the twentieth century the question of what it meant to be modern was a heated topic of debate. Focusing on interior design, fashion and photography, as well as on painting and architecture, this study casts fresh light on the vital role of the arts in these debates. The 'new' art and literature was crucial in defining a distinctive Viennese modernity while at the same time challenging preconceptions about modern urban life. Many artists and writers produced work that questioned and undermined oppositions between city and country, interior spaces and panoramic views, masculinity and femininity. Issues of gender and the representation of the body were particularly impo...
The Design Dialogue anthology is a remarkable exploration of the decisive role of Jewish patrons, professionals, architects, designers and authors in shaping modern Viennese architecture, design, and material culture. Leading cultural historians, museum curators, art historians, and architects present cutting edge research examining how famous and less known protagonists created new cultural languages, identifications and networks, engaged in social debates, and contributed to the cultural renewal of Vienna, a major capital in Central Europe, between 1800 and 1938.
Kaum eine Epoche der Kunst ist von so durchgreifenden Veränderungen geprägt wie die Spätgotik im 15. Jahrhundert. Angeregt durch niederländische Vorbilder werden Licht und Schatten, Körper und Raum zunehmend wirklichkeitsnah dargestellt. Der Alltag hält Einzug in die Künste. Mit der Erfindung der Drucktechnik kommt es zu einer ungeahnten Verbreitung von Bildern und Texten. Künstler wie Nicolaus Gerhaert oder Martin Schongauer erlangen überregionale Berühmtheit und nehmen über alle Gattungen hinweg Einfluss auf die Entwicklung der Bildkünste in ganz Europa. Die Gegenüberstellung der unterschiedlichen Gattungen macht den Katalog zu einem Handbuch der Kunst am Übergang zur Neuzeit.
Jewish Presence on Semmering The Semmering – the popular summer and winter holiday destination has a long association with Jewish guests. This history dates back to the Jewish trade routes in the Middle Ages when merchants passed through the area, and it continues to the present day. With the expansion of the railway, elegant hotels were constructed, kosher infrastructure was offered, Jewish doctors opened facilities for treatments and cures, and sports and leisure culture developed. The Semmering became a destination for health tourism, as well as the center of vibrant social life: Celebrities like Sigmund Freud, Arthur Schnitzler, Berta Zuckerkandl, and others turned into regular guests....
In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of the life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515–Vienna 1588). His manifold activities — also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II — are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada’s importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North.
This is a catalogue of the pre-Gothic Revival stained glass found at 57 sites in Lancashire. The extensive and magnificent, but virtually unknown, collection of Liverpool's Walker Art Gallery is catalogued here for the first time. he introduction places the indigenous glass in the context of the social and religious history of Tudor Lancashire.