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The Shifting of the Fire, by H. Ford Hueffer (World's Classics)
Ford Madox Ford (born Ford Hermann Hueffer ( 17 December 1873 - 26 June 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. Ford was born in Wimbledon[5] to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer. Ford's father, who became music critic for The Times, was German and his mother English. His paternal grandfather Johann Hermann Huffer was first to publish Westphalian poet and author Annette von Droste-Hulshoff. Ford used the name of Ford Madox Hueffer, but in 1919 he changed it to Ford Mado...
Henry for Hugh
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Critical Writings of Ford Madox Ford
Novelist, poet, literary critic, editor, a founding father of English Modernism, and one of the most significant novelists of the twentieth century, Ford Madox Ford (1873-1939) was the author of over eighty books, editor of The English Review and The Transatlantic Review, and collaborator with Joseph Conrad on The Inheritors, Romance, and other works. His most famous novel is The Good Soldier (1915). This collection contains essays and letters on the English novel, impressionism, vers libre, Joseph Conrad, H. G. Wells, Henry James, Herbert Read, and Ernest Hemingway.
Women and Men
This early work by Ford Madox Ford was originally published in 1923 and we are now republishing it with a brand new introduction. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as ...
Ford Madox Ford’s Literary Contacts
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First Wor...
Henry James
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The Benefactor
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Collected Poems of Ford Madox Hueffer
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Critical Essays
In 1911 some of D.H. Lawrence's poems and his story Odour of Chrysanthemums found their way, without his knowledge, to the desk of the editor of the English Review, Ford Madox Hueffer (later Ford). Ford was astonished and invited Lawrence to meet him, which the poet did with superb reluctance. Ford reinvents the meeting in 1937, recalling how, 'He had come, like the fox, with his overflood of energy - his abounding vitality of passionate determination that seemed always too big for his frail body.' Ford included the work in the English Review, talked up the new writer, and handed on his first novel, The White Peacock, to Messrs Heinemann. It is hard to understate the impact that Ford had on ...
Modernism and the Individual Talent
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
