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Mou Zongsan (1909-1995) was such a seminal, polymathic figure that scholars of Asian philosophy and religion will be absorbing his influence for at least a generation. Drawing on expertise in Confucian, Buddhist, Daoist, and modern Western thought, Mou built a system of “New Confucian” philosophy aimed at answering one of the great questions: “What is the relationship between value and being?” However, though Mou acknowledged that he derived his key concepts from Tiantai Buddhist philosophy, it remains unclear exactly how and why he did so. In response, this book investigates Mou’s buddhological writings in the context of his larger corpus and explains how and why he incorporated Buddhist ideas selectively into his system. Written extremely accessible, it provides a comprehensive unpacking of Mou’s ideas about Buddhism, Confucianism, and metaphysics with the precision needed to make them available for critical appraisal.
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Integrating technological development and business development rationales to highlight the key technological developments that are necessary to industrialize biofuels on a global scale, this book focusses on the key challenges that still hinder the effective biomass use and the realization of zero fossil fuel.
Reinventing Confucianism is a pioneer presentation of the New Confucian Movement, which has developed in China in the aftermath of the 1919 May Fourth Movement. The book offers a brief history of this current of thought, reviewing the three generations of leaders from the 1920s to the present, and describes the life and thought of eleven main figures representative of the philosophical development of China in the 20th century. We are introduced to Liang Shuming, the forerunner of the movement; Ma Yifu, the Confucian hermit; Xiong Shili the metaphysician; Zhang Junmai, an advocate of political democracy and constitutionalism; Feng Youlan, the renowned philosopher; He Lin, a follower of Hegel;...
This collection of essays explores the development of the New Confucianism movement during the twentieth-century and questions whether it is, in fact, a distinctly new intellectual movement or one that has been mostly retrospectively created. The questions that contributors to this book seek to answer about this neo-conservative philosophical movement include: 'What has been the cross-fertilization between Chinese scholars in China and overseas made possible by the shared discourse of Confucianism?'; 'To what extent does this discourse transcend geographical, political, cultural, and ideological divides?'; 'Why do so many Chinese intellectuals equate Confucianism with Chinese cultural identity?'; and 'Does the Confucian revival of the 1990s in China and Taiwan represent a genuine philosophical renaissance or a resurgence in interest based on political and cultural factors?'.
Confucian Iconoclasm proposes a novel account of the emergence of modern Confucian philosophy in Republican China (1912–1949), challenging the historiographical paradigm that modern (or New) Confucianism sought to preserve traditions against the iconoclasm of the May Fourth Movement. Through close textual analyses of Liang Shuming's Eastern and Western Cultures and Their Philosophies (1921) and Xiong Shili's New Treatise on the Uniqueness of Consciousness (1932), Philippe Major argues that the most successful modern Confucian texts of the Republican period were nearly as iconoclastic as the most radical of May Fourth intellectuals. Questioning the strict dichotomy between radicalism and conservatism that underscores most historical accounts of the period, Major shows that May Fourth and Confucian iconoclasts were engaged in a politics of antitradition aimed at the monopolization of intellectual commodities associated with universality, autonomy, and liberty. Understood as a counter-hegemonic strategy, Confucian iconoclasm emerges as an alternative iconoclastic project to that of May Fourth.
Die Herausgeber, Guo Qiyong und Wen Yongning, und gleichermaßen die 15 Autoren des hier vorliegenden Bandes aus der Reihe Chinesische Perspektiven: Philosophie haben sich für den Weg des Fleißes, der Umsicht und der kreativen Grundlagenarbeit entschieden. Sie bilden chronologisch und thematisch die Strukturen des geistigen Raumes nach, in dem chinesische Philosophen zwischen 1949 und 2009 ihre Position reflektiert haben und als Wissenschaftler gereift sind. Das Buch entfaltet seine organische Matrix aus beschreibenden, methodologischen und explorativen Ansätzen, durch die Einzelthemen in größere Zusammenhänge eingeordnet und zugänglich gemacht werden. Dazu zählen auch die Selbstrefl...
Featuring contributions from the world's most highly esteemed Asian philosophy scholars, this important new encyclopedia covers the complex and increasingly influential field of Chinese thought, from earliest recorded times to the present day. Including coverage on the subject previously unavailable to English speakers, the Encyclopedia sheds light on the extensive range of concepts, movements, philosophical works, and thinkers that populate the field. It includes a thorough survey of the history of Chinese philosophy; entries on all major thinkers from Confucius to Mou Zongsan; essential topics such as aesthetics, moral philosophy, philosophy of government, and philosophy of literature; surveys of Confucianism in all historical periods (Zhou, Han, Tang, and onward) and in key regions outside China; schools of thought such as Mohism, Legalism, and Chinese Buddhism; trends in contemporary Chinese philosophy, and more.
Guo Qiyong’s edited volume on contemporary Chinese philosophy offers a detailed look at research on Chinese philosophy published from 1949-2009 in Mainland China and Taiwan. The chapters in this volume are broken down into either major themes or time periods in the history of Chinese philosophy. In each chapter after summarizing significant aspects of a particular theme or time period, lists are drawn up of the most important works, along with comments on their individual contributions. This volume allows readers to both familiarize themselves with specific texts and become immersed in the more general philosophical discourse surrounding the history of Chinese philosophy. It provides an in-depth look into serious debates and major discoveries in Chinese language philosophical scholarship from 1949-2009.