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The Post-Soviet Condition
The Post-Soviet Condition: Chingiz Aitmatov In The 90S , Examines The Works Of One Of The Foremost Writers Of Not Only Kyrgyzstan, But Of The Former Soviet Union. Chingiz Aitmatov S Stories, Novellas And Novels Were Conceived Within The Canon Of Socialist Realism But Also Proved The Author To Be A Critical Insider . Chingiz Aitmatov Bore Witness To The Periods Of The Second World War, Stalinism, The Thaw, Stagnation, Perestroika And Post-Socialism. His Works Since The 50S Reflected Kyrgyz Life And The Life Of Other Nationalities In The Broader Framework Of The Soviet Union. While Aitmatov S Works In The Soviet Period Were Greeted As Important Cultural Events And Widely Discussed, His Works Of The 90S Have Not Received Much Attention At Home Or Abroad. This Book Critically Analyses Aitmatov S Works Of The 90S, The Ways In Which He Articulates New Positions Or Relocates Old Ones, The Issues Of Post-Soviet Life That He Focuses Upon And The New Realism He Adopts After The Demise Of Socialist Realism.
Prisoner of the Infidels
Introduction: on being Osman -- Discovering Osman: a short history of the text -- A note on translation -- A note on transcription from Ottoman Turkish -- Surrender -- Ransom -- Crime and punishment -- Death and resurrection -- Respite -- Bonds of love -- To the capital -- A friend in need -- An unexpected turn of events -- Trouble on the Danube -- Grifters -- Border run -- The end -- Appendix: main characters in Osman's narrative.
Writing in Red
The republic of Turkey and the Soviet Union both emerged from the wreckage of empires surrounding World War I, and pathways of literary exchange soon opened between the two revolutionary states. Even as the Turkish government pursued a friendly relationship with the USSR, it began to persecute communist writers. Whether going through official channels or fleeing repression, many Turkish writers traveled to the Soviet Union during the 1920s and 1930s, publishing original work, editing prominent literary journals, and translating both Russian classics and Soviet literature into Turkish. Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers,...
Childhood in the Late Ottoman Empire and After
This volume explores the variety of ways in which childhood was experienced, lived and remembered in the late Ottoman Empire and its successor states. The period of the late nineteenth and early twentieth centuries was a time of rapid change, and the history of childhood reflects the impact of new expectations, lived realities and national responsibilities on the youngest members of societies undergoing monumental change because of ideological, wartime and demographic shifts. Drawing on comparisons both within the Balkans, Turkey and the Arab lands and with Western Europe and beyond, the chapters investigate the many ways in which upheaval and change affected the youth. Particular attention is paid to changing conceptions of childhood, gender roles and newly dominant national imperatives. Contributors include: Elif Akşit, Laurence Brockliss, Nazan Çiçek, Alex Drace-Francis, Benjamin C. Fortna, Naoum Kaytchev, Duygu Köksal, Kathryn Libal, Nazan Maksudyan, Heidi Morrison, and Philipp Wirtz. This title, in its entirety, is available online in Open Access.
Depicting the Late Ottoman Empire in Turkish Autobiographies
The period between the 1880s and the 1920s was a time of momentous changes in the Ottoman Empire. It was also an age of literary experiments, of which autobiography forms a part. This book analyses Turkish autobiographical narratives describing the part of their authors’ lives that was spent while the Ottoman Empire still existed. The texts studied in this book were written in the cultural context of the Turkish Republic, which went to great lengths to disassociate itself from the empire and its legacy. This process has only been criticised and partially reversed in very recent times, the resurging interest in autobiographical texts dealing with the "old days" by the Turkish reading public...
Mapping the 'I'
In Mapping the ‘I’, Research on Self Narratives in Germany and Switzerland, the contributors, working with egodocuments (autobiographies, diaries, family chronicles and related texts), discuss various approaches to early modern concepts of the person and of personhood, the place of individuality within this context, genre and practices of writing. The volume documents the cooperation between the Berlin and Basel self-narrative research groups during its first phase (2000-2007). Next to addressing crucial methodological issues, it also demonstrates the richness of egodocuments as historical sources in contributions concentrating, for example, on the body and illness, on food, as well as on the early modern economy, group cultures and autobiographical considerations of one's own suicide. Contributors include Andreas Bähr, Fabian Brändle, Lorenz Heiligensetzer, Angela Heimen, Gabriele Jancke, Gudrun Piller, Sophie Ruppel, Thomas M. Safley, Claudia Ulbrich, Kaspar von Greyerz, and Patricia Zihlmann-Märki.
Routledge Handbook on Turkish Literature
This Handbook provides a comprehensive overview of Turkish literature within both a local and global context. Across eight thematic sections a collection of subject experts use close readings of literature materials to provide a critical survey of the main issues and topics within the literature. The chapters provide analysis on a wide range of genres and text types, including novels, poetry, religious texts, and drama, with works studied ranging from the fourteenth century right up to the present day. Using such a historic scope allows the volume to be read across cultures and time, while simultaneously contextualizing and investigating how modern Turkish literature interacts with world lit...
When Democracy Died
Offers a history of the Treaty of Lausanne, outlining the decade of war that preceded it and its enduring impact in the Middle East and beyond.
Night and Day
Night and Day (1934), an unfinished dilogy by Uzbek author Abdulhamid Sulaymon o’g’li Cho’lpon, gives readers a glimpse into the everyday struggles of men and women in Russian imperial Turkestan. More than just historical prose, Cho’lpon’s magnum opus reads as poetic elegy and turns on dramatic irony. Though Night, the first and only extant book of the dilogy, depicts the terrible fate of a young girl condemned to marry a sexual glutton, nothing is what it seems. Readers find themselves questioning the nature of Russian colonialism, resistance to it, and even the intentions of the author, whose life and the second book of his dilogy, Day, were lost to Stalinist terror.
