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许渊冲经典英译汉魏六朝诗
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汉魏六朝诗
本册收录了大风歌,和项王歌,秋风辞,北方有佳人等古代诗歌.
Australian Banking and Finance Law and Regulation
Australian Banking and Finance Law and Regulation provides a comprehensive, up-to-date and accessible introduction to the complexities of contemporary law and regulation of banking and financial sectors in one volume. The book provides a detailed analysis of Australia's financial market regulatory framework and the theoretical underpinnings of government intervention in the field. It delves into the legal changes implemented in response to the Global Financial Crisis and recent local scandals, exploring the complexities and subtleties of the 'banker-customer' relationship. Readers will appreciate the clear and concise treatment of key issues, cases and examples that offer an overview of major developments. The questions and answers at the end of each chapter serve as an effective tool for readers to assess and reinforce their grasp of the fundamental principles discussed.
Economic Cooperation in the Shadow of Contested Sovereignty
This book is the first of its kind to address a question of both practical and theoretical significance: how do political entities within a “divided nation” engage each other in terms of trade, investment, and other economic activities? “Divided nations” in this book refers to 2 entities that belonged to one state in the past and broke apart into different units constantly clouded with sovereignty contestation. Contested sovereignty in divided nations presents enormous complexities for their economic cooperation. Built on 3 representative case studies focused on pairs of divided nations-North-South Korea, China-Taiwan, and North-South Cyprus-the book explores from both an empirical a...
Words and Images
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, an...
Popular Songs and Ballads of Han China
This book, first published in 1988, compiles 77 songs and ballads (yüeh-fu) of early imperial China (200 BC – AD 300). Each song-text is newly translated and fully annotated and explicated. Dr Birrell deals systematically with problems of the earliest sources, dating, attribution, textual variants, multiforms, metre, generic title, song title and structure. This careful and thorough treatment is especially necessary for a corpus of anonymous popular texts which are often corrupt, structurally confusing, laconic and full of nonsense words and colloquialisms. Her introductory essay provides a socio-historical context for this material and charts its literary transmission, while singling out special characteristics of the genre, such as musical, oral and dramatic elements. The main text, arranged into eleven chapters plus an introduction, is supplemented by notes, appendices, maps, chronology, bibliography and index.
The Empire of the Text
This unique study argues that in the Qin-Han period, there arose in China a regime of textual authority_one that overlapped but did not coincide with imperial authority. Drawing on a wide range of research and theory, Connery makes an original contribution to the analysis of early imperial elite culture, particularly in the fields of literature and linguistics, intellectual, and institutional history. The author provides new contexts for thinking about canonization and textual transmission systems, an innovative framework for analysis and discussion of the early imperial elite, a socio-ideological exploration of one strand of late Han 'Confucian' thought, and a critique of the concepts of subjectivity and the 'birth of lyricism' in China.
