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A Vision Shared
Featuring the indelible work of the eleven photographers who worked for the Farm Security Administration ? perhaps the finest photographic team assembled in the twentieth century ? A Vision Shared: A Classic Portrait of America and Its People 1935?1943 was published in 1976 to great acclaim, and was named one of the hundred most important books of the decade by the Association of American Publishers. John Collier, Jack Delano, Walker Evans, Theo Jung, Dorothea Lange, Russell Lee, Carl Mydans, Arthur Rothstein, Ben Shahn, John Vachon and Marion Post Wolcott were invited by Hank O?Neal to choose the best of their own work, and provide commentary.0For the fortieth anniversary edition of this remarkable volume, all of the photographs, text and historical material that made up the original edition have been carefully reproduced, followed by a new afterword by O?Neal detailing the events that followed the book?s initial release.
Berenice Abbott, portraits parisiens
Berenice Abbott en 1925 photographiait ses premiers portraits sur le balcon du studio de Man Ray à Paris. Soixante-cinq ans plus tard, en 1990, elle prenait son dernier portrait dans un bateau sur le lac d'Hebron dans le Maine, à quelques centaines de mètres du chalet dans lequel elle a passé ses dernières années. Abbott réalisait généralement ses portraits parisiens dans son propre studio, d'abord 44, rue du Bac, puis 18, rue Servandoni, mais aussi parfois sur place, au domicile du client, comme son premier portrait de James Joyce. En juin 1926, Jan Sliwinski exposa dans sa galerie des photographies de James Joyce, Jean Cocteau, Sylvia Beach, Marie Laurencin ou André Gide parmi ta...
Xcia's Street Art Project
CIA agent-turned-photographer Hank O'Neal -- praised by The New York Times for "knowing New York City's streets and its celebrities"-- delivers the most beautiful collection of street art images ever amassed by a single photographer. For the past four decades, O'Neal has been photographing street art from around the globe--from the back alleys of New York City to the beaches of Venice, California; from Jim Morrison's grave in Paris to a section of the Berlin Wall. Featuring hundreds of gorgeously rendered, never-before published photos--from the art of Keith Haring and Richard Hambleton to that of Banksy and Shepard Fairey--XCIA's photographs deliver the ultimate street art experience.
Berenice Abbott
A re-release of an acclaimed volume features definitive images of 1930s New York, in a deluxe edition that features more than three hundred duotones as taken with the support of the WPA's Federal Art Project documenting Depression-era changes throughout the city. Reissue.
Gay Day
With captions by Allen Ginsberg and a preface by William S. Burroughs, this text celebrates and chronicles the gay parade in NYC during its heyday. It provides a unique and personal look into the roots of one the city's most vibrant traditions.
The Ghosts of Harlem
"The history of jazz is anecdotal"--This insight by O'Neal, a photographer and the president of independent jazz label Chiaroscuro Records, inspired him to assemble this historical portrait of jazz in Harlem. Between 1985 and 2007, O'Neal interviewed 42 jazz greats, only four of whom are still alive. With 475 black-and-white photographs, the artist captures Harlem jazz in the 1930s and 1940s, but the greatest value of the book lies in its interviews with such artists as Gillespie, Sy Oliver, Milt Hinton, Jonah Jones, Maxine Sullivan, and Panama Francis. Verdict O'Neal is the perfect conduit for this collection; his expertise leads him to the most casual yet incisive questions. There is no other book that so fully and intimately explores Harlem's musical heyday and its beloved ghosts.-Peter Thornell, Hingham P.L., MA Copyright 2009 Reed Business Information.
Ernst Haas: Color Correction
This book intends to correct the somewhat blurred image of Ernst Haas's color photography which, due to its extraordinary vibrancy, was much in demand by the illustrated press of its time. Haas's color work, published in the most influential magazines and various books in Europe and America, earned him worldwide fame, but at the same time has often been derided by critics and curators as too easily accessible and not sufficiently "serious." As a result, his reputation has suffered in comparison with a younger generation of color photographers, notably Eggleston, Shore and Meyerowitz. However, such criticism usually overlooks the astonishing sensibility of Haas's personal work in color, which constantly but almost invisibly accompanied his commissioned photography and was far more radical and ambiguous. Haas never printed these pictures in his lifetime, let alone exhibit them. With their striking inventiveness and complexity, they firmly stand their ground in the face of the work of Haas's fellow photographers. Due to its enormous popularity, Steidl is now offering Color Correction in a new, unaltered edition.
Norman Granz
"Any book on my life would start with my basic philosophy of fighting racial prejudice. I loved jazz, and jazz was my way of doing that," Norman Granz told Tad Hershorn during the final interviews given for this book. Granz, who died in 2001, was iconoclastic, independent, immensely influential, often thoroughly unpleasant—and one of jazz’s true giants. Granz played an essential part in bringing jazz to audiences around the world, defying racial and social prejudice as he did so, and demanding that African-American performers be treated equally everywhere they toured. In this definitive biography, Hershorn recounts Granz’s story: creator of the legendary jam session concerts known as Jazz at the Philharmonic; founder of the Verve record label; pioneer of live recordings and worldwide jazz concert tours; manager and recording producer for numerous stars, including Ella Fitzgerald and Oscar Peterson.
The Dead Book
The author writes, in his "Forewarned", "The Grateful Dead is a family, a large, amorphous patriarchy. It can be considered as large as all sentient souls or as small as an omega-minus particle. The Grateful Dead is an esoteric secret brotherhood, fortuitously gathered, and an exoteric rock and roll band that plays loud music and sounds different at different times in front of vast audiences of 'wild, creaming, drug-crazed dropouts in their mid-twenties.' "
