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Hank O'Neal
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A Vision Shared
Featuring the indelible work of the eleven photographers who worked for the Farm Security Administration ? perhaps the finest photographic team assembled in the twentieth century ? A Vision Shared: A Classic Portrait of America and Its People 1935?1943 was published in 1976 to great acclaim, and was named one of the hundred most important books of the decade by the Association of American Publishers. John Collier, Jack Delano, Walker Evans, Theo Jung, Dorothea Lange, Russell Lee, Carl Mydans, Arthur Rothstein, Ben Shahn, John Vachon and Marion Post Wolcott were invited by Hank O?Neal to choose the best of their own work, and provide commentary.0For the fortieth anniversary edition of this remarkable volume, all of the photographs, text and historical material that made up the original edition have been carefully reproduced, followed by a new afterword by O?Neal detailing the events that followed the book?s initial release.
Berenice Abbott
A re-release of an acclaimed volume features definitive images of 1930s New York, in a deluxe edition that features more than three hundred duotones as taken with the support of the WPA's Federal Art Project documenting Depression-era changes throughout the city. Reissue.
Xcia's Street Art Project
CIA agent-turned-photographer Hank O'Neal -- praised by The New York Times for "knowing New York City's streets and its celebrities"-- delivers the most beautiful collection of street art images ever amassed by a single photographer. For the past four decades, O'Neal has been photographing street art from around the globe--from the back alleys of New York City to the beaches of Venice, California; from Jim Morrison's grave in Paris to a section of the Berlin Wall. Featuring hundreds of gorgeously rendered, never-before published photos--from the art of Keith Haring and Richard Hambleton to that of Banksy and Shepard Fairey--XCIA's photographs deliver the ultimate street art experience.
Hank O'Neal
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Berenice Abbott, portraits parisiens
Berenice Abbott en 1925 photographiait ses premiers portraits sur le balcon du studio de Man Ray à Paris. Soixante-cinq ans plus tard, en 1990, elle prenait son dernier portrait dans un bateau sur le lac d'Hebron dans le Maine, à quelques centaines de mètres du chalet dans lequel elle a passé ses dernières années. Abbott réalisait généralement ses portraits parisiens dans son propre studio, d'abord 44, rue du Bac, puis 18, rue Servandoni, mais aussi parfois sur place, au domicile du client, comme son premier portrait de James Joyce. En juin 1926, Jan Sliwinski exposa dans sa galerie des photographies de James Joyce, Jean Cocteau, Sylvia Beach, Marie Laurencin ou André Gide parmi ta...
Sincerely, Ty Cobb
In 1948 Hank O'Neal was eight years old, and his baseball mentors were his grandfather, C. A. Christian, who'd been an exceptional semipro player at the turn of the century, and two of his father's classmates at TCU, Jim Nolan and Jim Busby. His grandfather went on to college and became a pharmacist, but he never forgot his days of glory as a teammate of the soon-to-become-legendary Ty Cobb. After his introduction to these three men, all Hank wanted was to play baseball. In 1954 his family moved to Syracuse, New York, where Hank hung around McArthur Stadium, the home of the Syracuse Chiefs. One of the players, Ben Zientara, lived two doors away, and not only did Hank pester him and the other...
Portraits
A collection of black and white 64 portraits, taken between 1926 and 1972. The subjects are identified inside the back cover.
Gay Day
With captions by Allen Ginsberg and a preface by William S. Burroughs, this text celebrates and chronicles the gay parade in NYC during its heyday. It provides a unique and personal look into the roots of one the city's most vibrant traditions.
The Ghosts of Harlem
"The history of jazz is anecdotal"--This insight by O'Neal, a photographer and the president of independent jazz label Chiaroscuro Records, inspired him to assemble this historical portrait of jazz in Harlem. Between 1985 and 2007, O'Neal interviewed 42 jazz greats, only four of whom are still alive. With 475 black-and-white photographs, the artist captures Harlem jazz in the 1930s and 1940s, but the greatest value of the book lies in its interviews with such artists as Gillespie, Sy Oliver, Milt Hinton, Jonah Jones, Maxine Sullivan, and Panama Francis. Verdict O'Neal is the perfect conduit for this collection; his expertise leads him to the most casual yet incisive questions. There is no other book that so fully and intimately explores Harlem's musical heyday and its beloved ghosts.-Peter Thornell, Hingham P.L., MA Copyright 2009 Reed Business Information.
