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This book is published to coincide with the 100th birthday of the Glasgow artist and sculptor, Hannah Frank, on 23rd August 2008. A major retrospective exhibition also opened on that date at Glasgow University, celebrating her life and achievement. This book includes many drawings and sketches never before published; some of the artist's original memorabilia; and a collection of in-depth articles about Hannah Frank's life, work and art. "Hannah Frank's work really does merit bringing to as wide a public as possible." Susan Ashworth, Lancashire Museums "Beautiful drawings full of richly decorated surfaces and impeccable calligraphy.a remarkable visual diary". Moira Jeffrey, The Herald Contributors
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
A true story documenting the life of one of Anne Frank's friends in Amsterdam during World War II, this incredible book is a moving testimony to a girl who survived a terrible ordeal and another who did not.
Countless books tell you how to make money: only this one turns to the wisdom of the ages to illuminate for you the reasons you have money in the first place, and the role money is meant to play in your life and in the lives of others. Here, American entrepreneur and philanthropist Frank Hanna introduces you to a lean, no-nonsense explanation of t.
The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations.
How well do you know the people closest to you? Hannah, Adam and adorable young Sydney Wickes are living under assumed identities in West Philadelphia. Although she’s found it hard to adjust to life in the city, at least Hannah and her family are safe and slowly beginning to build new lives for themselves. But all that changes when an unexpected tragedy throws the harsh spotlight of publicity onto the Wickes family, putting them in serious danger. Because Hannah and those she loves are hiding a dark secret in their past, a secret that has torn their lives apart. For what do you do when the person you should love the most poses the greatest threat? The Wickes’ sinister family secret is destined to catch up with them – with terrifying consequences.
Trade paperback collection of Evil Dead 2: Tales of the Ex-Mortis.
This revelatory book concentrates on Scottish women painters and sculptors from 1885, when Fra Newbery became Director of the Glasgow School of Art, until 1965, the year of Anne Redpath's death. It explores the experience and context of the artists and their place in Scottish art history, in terms of training, professional opportunities and personal links within the Scottish art world. Celebrated painters including Joan Eardley, Margaret Macdonald Mackintosh and Phoebe Anna Traquair are examined alongside lesser-known figures such as Phyllis Bone, Dorothy Johnstone and Norah Neilson Gray, in order to look afresh at the achievements of Scottish women artists of the modern period.The book accompanies a show which will be held at the Scottish National Gallery of Modern Art Two in Edinburgh from 7 November 2015 to 26 June 2016.