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Poetry. "HANNAH WEINER'S OPEN HOUSE beckons us into a realm of poetry that bends consciousness in order to open the doors of perception. Weiner is one of the great American linguistic inventors of the last thirty years of the 20th century. She created an alchemical poetry that transforms the materials of everyday life into a dimension beyond sensory perception. The pieces collected here are as much conceptual art as sprung prose, experimental mysticism as social realism, autobiography as egoless alyric. Patrick Durgin has brought together touchstone works, some familiar and some never before published. HANNAH WEINER'S OPEN HOUSE provides the only single volume introduction to the full range of Weiner's vibrant, enthralling, and unique contribution to the poetry of the Americas." Charles Bernstein"
This is the first of four early journals, written in 1970 (THE FAST); in 1971, (Country Girl); in 1972, (Pictures and Early Words); in 1973, (Big Words). These journals depict the development of the clairvoyance from feeling and seeing auras, to seeing pictures, and finally the slow development of seeing words which first appeared singly, then later in short phrases. The culmination of this seeing of words resulted in the Clairvoyant Journal, written in 1974, and published by Angel Hair Books, now known as United Artists Books, in 1978, and in many books that followed. Literary Nonfiction.
Edited by Anne Waldman, Lewis Warsh, Contributors include Bill Berkson, Joe Brainard, Tom Clark, Clark Coolidge, Robert Creeley, Kenward Elmslie, Tom Greenwald, Joanne Kyger, Bernadette Mayer, Alice Notley, Ron Padgett, Amber Phillips, Lorenzo Thomas, Ann
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound ...
"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, fro...
Comic Timing, Holly Pester's extraordinary debut collection of poems, chronicles the experience of living and working as a radical and resistant act. These poems shunt a reader between the political and personal via unique, fragmentary and illusory turns of phrase. Holly tackles marginal bodies, landlords, bog butter, desire, domestic and civic spaces in an unique and illusory voice. She chronicles the prevailing mood of our times, mining radical and anarchic histories to offer a collection of political resistance with both absurdity and seriousness. These poems interrogate and poke fun at the expectations of people in a commodified culture with a wry humour. Combining a beautifully performed naivety with a profound intellect, this collection is a hugely original approach to a number of pressing issues. Worker's rights, feminisms, reproductive rights and marginalised bodies and their positions are all thought through in this startling and innovative voice.
A powerful new book of poetry by Candice Wuehle
All the Whiskey in Heaven brings together Charles Bernstein’s best work from the past thirty years, an astonishing assortment of different types of poems. Yet despite the distinctive differences from poem to poem, Bernstein’s characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry’s sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America’s most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.