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This is the first book to systematically investigate the texts in the Hebrew Bible in which a character expresses a wish to die. Contrary to previous scholarship on these texts that assumed these death wishes were simply a desire to escape suffering, Hanne Løland Levinson employs narrative criticism and conversation analysis, together with diachronic methods, to carefully hear each death-wish text in its literary context. She demonstrates that death wishes embody powerful, multi-faceted rhetorical strategies. Grouping the death-wish texts into four main rhetorical strategies of negotiation, expression of despair and anger, longing to undo one's existence, and wishing for a different reality, Løland Levinson portrays the complex reasons why characters in the Hebrew Bible wish for death. She concludes that the death wishes navigate the tension between longing for death and fighting for survival - a tension that many live with also today as they attempt to claim agency and autonomy in life.
A novel approach to Israelite kinship, arguing that maternal kinship bonds played key social, economic, and political roles for a son who aspired to inherit his father’s household Upending traditional scholarship on patrilineal genealogy, Cynthia Chapman draws on twenty years of research to uncover an underappreciated yet socially significant kinship unit in the Bible: “the house of the mother.” In households where a man had two or more wives, siblings born to the same mother worked to promote and protect one another’s interests. Revealing the hierarchies of the maternal houses and political divisions within the national house of Israel, this book provides us with a nuanced understanding of domestic and political life in ancient Israel.
This book explores figurative images of the womb and the simile of a woman in labor from the Hebrew Bible, problematizing previous interpretations that present these as disparate images and showing how their interconnectivity embodies relationship with YHWH. In the Hebrew Bible, images of the womb and the pregnant body in labor do not co-occur despite being grounded in an image of a whole pregnant female body; the pregnant body is instead fragmented into these two constituent parts, and scholars have continued to interpret these images separately with no discussion of their interconnectivity. In this book, Langton explores the relationship between these images, inviting readers into a wider ...
Revised versions of 12 essays previously published in various sources.
This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Poetry, Catastrophe, and Hope in ...
An Invitation to Biblical Poetry is an introduction to the aesthetic dimensions of the ancient poetry of the Bible. It argues that, as art, biblical poems engage their readers in embodied encounters that accomplish intellectual work. It examines how this is achieved through the poems' various techniques of voicing and address, lines, formal patterns, figures such as metaphor, personification, and symbol, and the crucial but elusive dimensions of historical and readerly context. Its broad survey of biblical poetry and accessible style will benefit anyone interested in becoming a better reader of poetry.
How did the academy react to the rise, dominance, and ultimate fall of Germany's Third Reich? Did German professors of the humanities have to tell themselves lies about their regime's activities or its victims to sleep at night? Did they endorse the regime? Or did they look the other way, whether out of deliberate denial or out of fear for their own personal safety? The Betrayal of the Humanities: The University during the Third Reich is a collection of groundbreaking essays that shed light on this previously overlooked piece of history. The Betrayal of the Humanities accepts the regrettable news that academics and intellectuals in Nazi Germany betrayed the humanities, and explores what went...
Although attempts to understand the growth of aniconism focus on the Pentateuchal legal material, scholars increasingly make reference to the prophetic literature to illuminate the debate. Jill Middlemas provides the first comprehensive analysis of the prophets with attention to rhetorical strategies that reflect anti-iconic thought and promote iconoclasm. After illuminating the idol polemics, which is the rhetoric most often associated with aniconism, she draws out how prophecy also exposes a reticence towards cultic symbols and mental images of Yahweh. At the same time the theme of incomparability as well as the use of metaphor and multiple imaging, paradoxically, reveal additional ways to express aniconic belief or the destabilization of a single divine image. Middlemas' analysis of prophetic aniconism sheds new light on interpretations of the most iconic expression in the Old Testament, the imago dei passages in Genesis, where God is said to create humanity in the divine image.
What does it mean to be a prophet in queer times? Considering first the queerness of the prophet Jonah, this volume then broadens its scope to the queer prophetic in our own time, reflecting on what makes a prophet ‘queer’, and considering how public theology is itself, an example of the queer prophetic. With a broad range of international contributors, this book offers a bold and essential new addition to queer biblical studies literature.