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Traces the development of modern collegiate and professional sports, explains how they reflect American culture, and looks at the role sports have played in Americanizing immigrants
Very few works attempt to analyze and apply the biblical principles that relate to work and leisure. Leland Ryken hopes to change that, reframing labor and leisure around God's purposes for a holistic lifestyle. Ryken finds the answers in Scripture and in the rich heritage of theological thinking, while weaving together insights drawn from a wide array of sources. The result is one of the most informed and practical studies on our day-to-day activities.
This book discusses the way ideas and forms traveled between Britain and France during the eighteenth century, and the extent to which the circulation of ideas between the two countries could be difficult. The volume shows that this difficulty, because it was acknowledged and often thematized, contributed to an increased awareness of what was really at stake in the very concept of Enlightenment. The examination of points of contact between the two cultures-contacts that became very much the fashion in the course of the eighteenth century-helps us understand how apparently common concepts and concerns fared differently from one country to the next, while being enriched by those contacts. The ...
Margaret Cavendish was the most extraordinary seventeenth-century Englishwoman, refusing to be silent when exiled by the Crowmellian regime, she fought to make her voice heard through her fascinating publications.
Dr.Ryken's presentation of the Puritan view and style of life is perceptive and accurate. He allows them to speak for themselves on topics ranging from"Church and Worship" to "Money" and "Marriage and Sex". While criticizing the Puritans for their faults, the author paints a sympathetic portrait of them.
Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.
We Christians are not immune to the dissatisfactions others experience in their work and leisure pursuits. In all likelihood, our problems stem from our adherence to a secularized perspective that views work as the means to material gain, with leisure a badly needed respite from work's drudgery. Leland Ryken examines this secular view and points to the liberating perspective of the Scriptures: both our work and our leisure have as their overarching aim to glorify God. Blue-collar worker or white, homemaker or career woman, this book will profoundly influence the attitudes and motivations you bring to your work and to your play. Book jacket.
Distinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential use of color, 3) complex text-image relation, 4) meaning-enhancing panel design and layout, 5) structural performativity, 6) references to texts/media, and 7) self-referential and metafictional devices. Regarding the subcategory of narration, the existence of a narrator as known from classical narratology can no longer be ass...