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For the first time--the complete story of the life and times of the most important black woman writer of the 19th century.
Based on the true story of Harriet Ann Jacobs, Letters from a Slave Girl reveals in poignant detail what thousands of African American women had to endure not long ago, sure to enlighten, anger, and never be forgotten. Harriet Jacobs was born into slavery; it's the only life she has ever known. Now, with the death of her mistress, there is a chance she will be given her freedom, and for the first time Harriet feels hopeful. But hoping can be dangerous, because disappointment is devastating. Harriet has one last hope, though: escape to the North. And as she faces numerous ordeals, this hope gives her the strength she needs to survive.
Harriet Jacobs has not until recently enjoyed sustained, scholarly analysis. This anthology presents a far-ranging compendium of literary and cultural scholarship, taking its place as the primary resource for students and teachers.
Harriet Jacobs' narrative of a life as a slave girl is unabridged, and contains an additional annotation at the start of the book. This section aims to give the reader an historical context, and contains a brief History of Slavery in America, and the Abolishment of Slavery. This will help set the stage for Harriet Ann Jacobs autobiography that is to follow: "I am aware that some of my adventures may seem incredible; but they are, nevertheless, strictly true. I have not exaggerated the wrongs inflicted by Slavery; on the contrary, my descriptions fall far short of the facts. I have concealed the names of places, and given persons fictitious names. I had no motive for secrecy on my own account...
Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, Incidents in the Life of a Slave Girl, holds a central place in the canon of American literature as the most important slave narrative by an African American woman. Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of th...
Throughout her career as a playwright, Lydia R. Diamond has boldly challenged assumptions about African American culture. In Harriet Jacobs, she turns one of the greatest American slave narratives, Harriet Jacob's Incidents in the Life of a Slave Girl, into a penetrating, rousing work of theater. Jacob's story - serialized in the New York Tribune until it was deemed too graphic, and eventually published in book form in 1861 - exposed the sexual harrassment and abuse of slave girls and women at the hands of their masters. Harriet Jacobs: A Play organically incorporates theatrical elements that extend the book's enormous power. Though harrowing, Harriet Jacobs undertakes the necessary task of reenvisioning a difficult chapter in American history. -- from back cover.
Incidents in the Life of a Slave Girl is an autobiography by a young mother and fugitive slave published in 1861 by L. Maria Child, who edited the book for its author, Harriet Ann Jacobs. Jacobs used the pseudonym Linda Brent. The book documents Jacobs' life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues." She explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children when their children might be sold away.Jacobs' book is addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution.
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
"Slavery is terrible for men, but it is far more terrible for women," Harriet Jacobs states plainly in this riveting account of her life as a slave, and then sets out to recount, in chilling detail, the particular horrors for women caught in that terrible snare. Published in 1861 under the pseudonym Linda Brent, Incidents was the first account of slavery to explore the sexual abuse female slaves endured... in Jacobs' case, a catalog of harassment she suffered while working in the home of a doctor known to have sold children he'd fathered with slave women. Long believed to have been written by a white author as a fictional novel, Incidents in the Life of a Slave Girl rings with a ghastly truth that still has the power to haunt modern readers.