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Liminal Dickens is a collection of essays which cast new light on some surprisingly neglected areas of Dickens’s writings: the rites of passage represented by such transitional moments and ceremonies as birth/christenings, weddings/marriages, and death. Although a great deal of attention has been paid to the family in Dickens’s works, relatively little has been said about his representations of these moments and ceremonies. Similarly, although there have been discussions of Dickens’s religious beliefs, neither his views on death and dying nor his ideas about the afterlife have been analysed in any great detail. Moreover, this collection, arising from a conference on Dickens held in The...
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological ...
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For decades, scholars have placed the “New Negro” and Harlem’s Literati movements and their participants under the Harlem Renaissance’s umbrella with these monikers used interchangeably in scholarship to describe a seemingly singular literary and cultural moment in history. In Rewriting Literary Blackness in Harlem: The Intertextuality of Hubert Harrison, George S. Schuyler, and Wallace Thurman, Tammie Jenkins argues that these are distinct movements that share intertextually related ideological views that occurred on a literary continuum. Harrison’s, Schuyler’s, and Thurman’s contributions have rarely been viewed and analyzed through an isolation of their respective movements....
(From the Preface) “The author has attempted to show how the original five counties in 1812 were divided and sub-divided until, by 1862, 114 counties had emerged. Reynolds County at one time, at least in part, has been a portion of seven counties; Ste. Genevieve, Cape Girardeau, Washington, Wayne, Madison, Ripley, and Shannon.”
Green Mountain Cemetery is one of the largest in Boulder County, Colorado, with more than 15,000 burials and memorials. The Boulder Genealogical Society has updated its 2006 edition of this book to include the burials of the last decade (through May 2016) and to make corrections to the earlier edition. Each burial has the name of the deceased, a birth date or age, a death date, a burial location and interment number.
When this book first appeared in 1967, public interest in glamour photographer and magazine publisher George Harrison Marks was arguably at an all-time high. Just who was this man with the beatnik beard, the thick frame glasses and the seemingly dream job of photographing beautiful women in a state of undress?
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A tantalizing tour through a true bibliomystery that will “get people talking about one of literature’s greatest enigmas” (KentOnline). When Dickens died on June 9, 1870, he was halfway through writing his last book, The Mystery of Edwin Drood. Since that time, hundreds of academics, fans, authors, and playwrights have presented their own conclusion to this literary puzzler. Step into 150 years of Dickensian speculation to see how our attitudes both to Dickens and his mystifying last work have developed. At first, enterprising authors tried to cash in on an opportunity to finish Dickens’ book. Dogged attempts of early twentieth-century detectives proved Drood to be the greatest myste...