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Self Torture and Strenuous Exercise
  • Language: en
  • Pages: 248

Self Torture and Strenuous Exercise

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

Harry Kondoleon has said his plays are "sad, scary, funny." Though his work has been compared to that of Joe Orton and Oscar Wilde, John Guare and Christopher Durang, his acute and elegant voice has from the first been distinctively his own. Kondoleon's tragicomedies are peopled by extremists, their behavior bizarre. And yet these curious characters are driven by the most familiar of passions. Abandonment and betrayal define their pasts, shadow their present. They are needy and lonely and full of desire. They seek transcendence, and this impossible, fundamental longing takes forms both common and strange. These plays are not only jet-black comedies. They are fairy tales, fables, passion plays, masquerades. Kondoleon's intensely theatrical sensibility is, finally, romantic. He sees the contemporary world clearly; he also sees other worlds: prior, within, beyond. This volume also includes: Christmas on Mars, The Vampires, Slacks and Tops and Anteroom.

Performance Power
  • Language: en
  • Pages: 264

Performance Power

  • Type: Book
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  • Published: 2001
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  • Publisher: Heinemann

A collection of extracts from plays, designed for use in the short performance assessment in the GCSE Drama specifications. The plays have been selected to last approximately 20 minutes and aim to develop the performance skills of students from a wide ability range.

Linda Her, And, The Fairy Garden
  • Language: en
  • Pages: 56

Linda Her, And, The Fairy Garden

THE STORIES: The first play, LINDA HER, is set in a summer cottage where Carol, an insomniac, lies awake pondering her dissatisfaction with her boring husband (who talks endlessly of a lost love whom he hasn't seen since kindergarten) and their bra

Zero Positive
  • Language: en
  • Pages: 92

Zero Positive

THE STORY: As the play begins a young man, Himmer, is trying to console his father on the death of his long-estranged wife (and Himmer's mother) whom neither has seen for many years, but the older man, Jacob, is apparently more interested in his mo

The Playwright at Work
  • Language: en
  • Pages: 337

The Playwright at Work

Rosemarie Tichler and Barry Jay Kaplan take us behind the scenes in conversations with thirteen of today’s most distinguished playwrights, including Tony Kushner, John Guare, Wallace Shawn, Suzan-Lori Parks, David Henry Hwang, and Sarah Ruhl. To familiarize the reader with the world of each playwright, Tichler and Kaplan introduce us to the environments in which the work happens, conducting their interviews in the playwright’s home, a dark theater, or a coffee shop. Topics of conversation range from the playwrights’ earliest memories of the theater to finding their unique voices, and from their working relationships with directors, actors, and designers to their involvement in the purely commercial aspects of their profession. Taken together, these conversations constitute a collectively taught master class in the art and craft of writing for the stage.

The Advocate
  • Language: en
  • Pages: 96

The Advocate

  • Type: Magazine
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  • Published: 1999-09-14
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  • Publisher: Unknown

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The Contemporary American Dramatic Trilogy
  • Language: en
  • Pages: 200

The Contemporary American Dramatic Trilogy

  • Type: Book
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  • Published: 2014-01-10
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  • Publisher: McFarland

The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This book analyzes recent American works by Caucasian, African American, Asian American, and Hispanic American men and women. There are five chapters beginning with Opposing Families (trilogies of, e.g., Lanford Wilson, Foote, Machado, and McCraney are examined). Carson, Rabe, and McLaughlin are among those in the Classical Reimaginings chapter while Coen, Berc, and Wolfe constitute the Medieval Reimaginings chapter. Van Itallie, Havis, Rapp, and Hwang, among others, create New Forms. LaBute, Fierstein, and Nelson, among others, create New Selves. The concluding chapter is devoted to Ruhl's Passion Play, which spans 400 years of theatre-creating from Elizabethan England to Hitler's Germany to the Reagan era in America.

American Theatre
  • Language: en
  • Pages: 515

American Theatre

Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.

The Cambridge Guide to American Theatre
  • Language: en
  • Pages: 448

The Cambridge Guide to American Theatre

"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.

New York Magazine
  • Language: en
  • Pages: 124

New York Magazine

  • Type: Magazine
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  • Published: 1980-08-18
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  • Publisher: Unknown

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.