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Sleeping with the Dictionary
Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of...
Urban Tumbleweed
"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"
Trimmings
Prose poems inspired by Stein's Tender Buttons and informed by current feminist and semiotic theories.
S*PeRM**K*T
The prose poems of Mullen offer an antidote to the stultifying sameness of officious representations of our multiplicity. A race through the supermarket with Mullen will leave you rolling in the aisle. --A.L. Nielsen, Multicultural Review.
Recyclopedia
Brings together three collections of poetry by African-American author Harryette Mullen, which explore such themes as identity, mass culture, and globalization.
Every Goodbye Ain't Gone
Showcases brilliant and experimental work in African American poetry. Just prior to the Second World War, and even more explosively in the 1950s and 1960s, a far-reaching revolution in aesthetics and prosody by black poets ensued, some working independently and others in organized groups. Little of this new work was reflected in the anthologies and syllabi of college English courses of the period. Even during the 1970s, when African American literature began to receive substantial critical attention, the work of many experimental black poets continued to be neglected. Every Goodbye Ain’t Gone presents the groundbreaking work of many of these poets who carried on the innovative legacies of ...
Oreo
With an introduction by the Man Booker Prize-winning author of A Brief History of Seven Killings, Marlon James. Oreo has been raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note. Oreo’s quest is to find her father, and discover the secret of her birth. What ensues in Fran Ross's opus is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other. 'Oreo's satire on racial identity reads like a story for our times . . . Could Oreo be this year's Stoner? – Observer ‘A rollicking little masterpiece . . . one of the most delightful, hilarious, intelligent novels I’ve stumbled across in recent years’ – Paul Auster, author of The New York Trilogy.
The Cracks Between What We Are and What We Are Supposed to Be
The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen’s own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women’s voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen’s work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.
Tree Tall Woman
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Looking Up Harryette Mullen
Literary Nonfiction. Poetry History & Criticism. African American Studies. Introduction by Juliana Spahr. Six years after Harryette Mullen and Barbara Henning first met at the legendary Nuyorican Poets Café, Henning proposed she do a postcard-format interview of Mullen that would allow for a "very small postcard space in which to respond...[t]he idea of cards flying through the mail & overlapping." Thus began what is now LOOKING UP HARRYETTE MULLEN, unique collaborative conversations that offer a candid look at the influences, politics, and poetics that inform Mullen's poetry. The conversation expands even further in the second set of spoken interviews that include concerns as far-ranging as the Heaven's Gate cult, Oulipian constraints such as S + 7 and lipograms, syllabic rhymes, and Aimé Césaire. In stunning detail, Mullen and Henning discuss the origins of each poem in Mullen's highly acclaimed collection Sleeping with the Dictionary. For poets and readers of poetry interested in witnessing how a brilliant, singular writer embarks on the journey of generating work to scholars researching the inception of Mullen's poems, this book informs by way of technique and vitality.
