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Sleeping with the Dictionary
  • Language: en
  • Pages: 99

Sleeping with the Dictionary

Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of...

Urban Tumbleweed
  • Language: en

Urban Tumbleweed

"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"

Harryette Mullen
  • Language: en

Harryette Mullen

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

Web site offers online texts of Mullen's work as well as biographical and bibliographical notes.

Trimmings
  • Language: en
  • Pages: 78

Trimmings

Prose poems inspired by Stein's Tender Buttons and informed by current feminist and semiotic theories.

S*PeRM**K*T
  • Language: en
  • Pages: 56

S*PeRM**K*T

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

The prose poems of Mullen offer an antidote to the stultifying sameness of officious representations of our multiplicity. A race through the supermarket with Mullen will leave you rolling in the aisle. --A.L. Nielsen, Multicultural Review.

Harryette Mullen, Her Silver-Tongued Companion
  • Language: en

Harryette Mullen, Her Silver-Tongued Companion

  • Type: Book
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  • Published: 2024-07-31
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  • Publisher: Unknown

[headline]The first critical edition of Harryette Mullen's remarkable poetry, from her early works to the present-day Harryette Mullen is one of the most exciting innovative poets writing today. This landmark volume is the first of its kind, featuring Mullen's works from 1981 to the present day. Her Silver-Tongued Companion collects poems from Recyclopedia, Sleeping with the Dictionary, Urban Tumbleweed, Broken Glish: Five Prose Poems, a sampler of poems from Blues Baby, and several previously uncollected poems. Five compelling scholarly essays accompany the texts, offering new insight into Mullen's works, ranging beyond contemporary poetry to consider Mullen's works in wider contexts. Foreg...

Recyclopedia
  • Language: en
  • Pages: 198

Recyclopedia

  • Type: Book
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  • Published: 2006-10-31
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  • Publisher: Unknown

Brings together three collections of poetry by African-American author Harryette Mullen, which explore such themes as identity, mass culture, and globalization.

Blues Baby
  • Language: en
  • Pages: 146

Blues Baby

  • Type: Book
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  • Published: 2002-03-01
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  • Publisher: Unknown

Blues Baby: Early Poems brings together Harryette Mullen's first book, Tree Tall Woman, with previously uncollected poems from the beginning of her career. Her early poems draw inspiration from the feminist and Black Arts movements, as well as her connections to diverse communities of writers and artists. The movement of this volume is loosely autobiographical - from childhood narratives to poems about sexuality to indirect evocations of the poet's art. Many of the poems address the subject of family and community, often emphasizing the strength of women and female friendship; some evoke culturally specific traditions and locations; others of a satiric nature offer cultural critiques. Harryette Mullen's poetics work within various traditions, including the confessional and the performative mode of the Black Arts poets, and throughout her free-verse lyrics are written with insight, humor, and musicality, and will appeal to a diverse readership.

Oreo
  • Language: en
  • Pages: 218

Oreo

With an introduction by the Man Booker Prize-winning author of A Brief History of Seven Killings, Marlon James. Oreo has been raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note. Oreo’s quest is to find her father, and discover the secret of her birth. What ensues in Fran Ross's opus is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other. 'Oreo's satire on racial identity reads like a story for our times . . . Could Oreo be this year's Stoner? – Observer ‘A rollicking little masterpiece . . . one of the most delightful, hilarious, intelligent novels I’ve stumbled across in recent years’ – Paul Auster, author of The New York Trilogy.

The Cracks Between What We Are and What We Are Supposed to Be
  • Language: en
  • Pages: 292

The Cracks Between What We Are and What We Are Supposed to Be

The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen’s own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women’s voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen’s work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.