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Correspondence, manuscripts of short stories and novels, clippings, notes, diaries (1928 and 1954-1970) primarily concerning his interest in writing and the American West, books with annotations by Fergusson and inscriptions to him, and obituaries.
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The western frontier was officially pronounced closed in 1890, the year Harvey Fergusson was born in Albuquerque. He spent his life reopening it in a series of novels stretching from the classic Wolf Song to the belatedly acclaimed Grant of Kingdom and The Conquest of Don Pedro. In this first full biography and critical study, Robert F. Gish sees Fergusson as a modern frontiersman in love with the outdoors, women, and writing. The scion of New Mexico family prominent in business and politics, Fergusson moved restlessly from one new frontier to another, always seeking to recreate in his life and work the adventure and freedom enjoyed by his ancestors. After a strenuous open-air life by the Ri...
"The great virtue of McCormick's memoirs is their blunt honesty. He writes with a persuasive directness about what happened to him and what he believes..."--Arts and Letters The title of John McCormick's autobiographical book, may be taken both literally and symbolically. In a literal sense, going to sea was an early and powerful ambition, while seagoing is also a metaphor for the twists and turns in a rootless life, a long voyaging. This is not a conventional autobiography. It is personal only as necessary for continuity, and never confessional. The essays center upon telling episodes in the author's life and strive for objectivity and accuracy about the recent past, both personal and histo...
Recapturing the atmosphere of Territorial days, this 1962 extensively annotated edition of a Southwestern classic focuses on southeastern New Mexico, where "murder was a common offense" and stagecoach robberies were "nothing to get excited about." The delineation of this last, lively frontier begins in 1846 and ends in 1912 with New Mexico statehood. Here are the deeds, lives and legends of the colorful men who figure in New Mexico history. The lucky ones: John J. Baxter who struck it rich at White Oaks, Tom Wilson and Uncle Jack Winters of the Homestake claim, Jack Martin who brought water to the Jornada del Muerto and started the desperate struggle among stockmen culminating in the Lincoln...
Federalism and Political Culture is a collection of Wildavsky's essays on federalism over the latter part of his career. It is the second in a series, of his posthumous collected writings. Federalism is not a conventional collection on comparative federal systems, but deals with what federalism means, how it should work, and how it has been abused by those in power who protested their commitment to federal principles and practices but acted otherwise. Wildavsky's analyses concentrate mainly on American federalism after the Great Society of the 1960s which brought major changes to the American federal system. The essays trace the progress of his thought as he first argues that true federalism is noncentralization, then to federalism as competition, and then combines both in reasserting that real federalism is possible only in a confederation.
Charles Montgomery's compelling narrative traces the history of the upper Rio Grande's modern Spanish heritage, showing how Anglos and Hispanos sought to redefine the region's social character by glorifying its Spanish colonial past. This readable book demonstrates that northern New Mexico's twentieth-century Spanish heritage owes as much to the coming of the Santa Fe Railroad in 1880 as to the first Spanish colonial campaign of 1598. As the railroad brought capital and migrants into the region, Anglos posed an unprecedented challenge to Hispano wealth and political power. Yet unlike their counterparts in California and Texas, the Anglo newcomers could not wholly displace their Spanish-speaking rivals. Nor could they segregate themselves or the upper Rio Grande from the image, well-known throughout the Southwest, of the disreputable Mexican. Instead, prominent Anglos and Hispanos found common cause in transcending the region's Mexican character. Turning to colonial symbols of the conquistador, the Franciscan missionary, and the humble Spanish settler, they recast northern New Mexico and its people.