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You get to your hotel room after a long journey. You drop your bag, turn out the lights, and lie down. A few hours later you wake up in total darkness. For a good minute you have no sense of who you are-though once you turn on the television, or more likely, log on to the Internet, then information floods your mind. You may ask: How do I know what's really happening? This book offers a simple route through the morass of information. It will outline the things you need to know to answer the question: "What's really happening?" What's more, the techniques revealed here can be adapted for many circumstances you will encounter in life.
"If this book had been titled something like 'How to listen' or 'How to be all ears,' the title would have been appropriate to the content and directly explained the book's focus. Why, then, does the title prefer to obscure its subject rather than reveal it, running counter to a title's traditional function? The reason is that this book is grounded in the experience of the unseen listener. Speakers are seen when they speak, whereas listeners recede into the background of the scene dominated by speakers. Listeners spend a long time listening to that around them, and hope to maintain their wallflower position when they speak--their speech having no need to take front row or appear in the spotlight. The title of this book conceals its subject in a desire to protect the listener from returning to the spotlight once he or she has left it. Haytham El-Wardany is an Egyptian writer currently residing in Berlin. He recently published Kitab Al-Nawm (The Book of Sleep)."--Page 4 of cover.
Iman Mersal intricately weaves a new narrative of motherhood, moving between interior and exterior scapes, diaries, readings, and photographic representations of motherhood to question old and current representations of motherhood and the related space of unconditional love, guilt, personal goals and traditional expectations. What is hidden in narratives of motherhood in fictional and non-fictional texts as well as in photographs?0 0Iman Mersal is an Egyptian poet and associate professor of Arabic Literature and Middle Eastern Studies at the University of Alberta, Canada.--
Following a thread, from string figures though algorithms.
Now in paperback, The Book of Sleep is a landmark in contemporary Arabic literature. What is sleep? How can this most unproductive of human states--metaphorically called death's shadow or considered the very pinnacle of indolence--be envisioned as action and agency? And what do we become in sleep? What happens to the waking selves we understand ourselves to be? Written in the spring of 2013, as the Egyptian government of President Mohammed Morsi was unraveling in the face of widespread protests, The Book of Sleep is a landmark in contemporary Arabic literature. Drawing on the devices and forms of poetry, philosophical reflection, political analysis, and storytelling, this genre-defying work ...
"With its undulating body, I, CAUSTIC reproduces the twopronged movement that testifies to the continuing relevance of Khaïr-Eddine's writing: destruction and reconstruction, annihilation and regeneration, death and revival."--Khalid Lyamlahy (from the Postface) "Khaïr-Eddine's corroded lyric I spews the detritus of autocratic narcissism in this absurdist takedown of its patriarchs: the king and his advisors, military and police officers, husbands, fathers, older brothers. In the wake of the Moroccan student and worker uprising of March 23, 1965, which emboldened both government repression and popular movements for democracy, the characters ponder the irony of revolution when everyone has ...
An adaptation of Cevdet Erek's artist book SSS - Shore Scene Soundtrack, Theme and Variations for Carpet, this publication takes up the issue of mimicking nature and demonstrates how to produce the sound of the sea using two hands and a synthetic carpet.
Two men talk in Tokyo. One, a Belgian, is a diplomat. The other, Dutch, is a photographer. What, they wonder, is the real face of Japan? How can they get beyond the European idea of the nation and its people--with its exoticism--and see Japan as it truly is? The Belgian has an idea: he helps the photographer find a model to shoot in front of Mount Fuji as the "typical Japanese." The plan works better than either had imagined--in fact, it works too well: the photographer falls in love, neglects his friend and his career, and, feeling out of place and disillusioned in Holland, returns to Japan as often as possible over the next five years. A reunion is planned: the three will meet again at Mount Fuji. Time, it seems, has stood still . . . except the woman has a secret, and plans of her own.
"Originally published in Arabic in 1995"--Title page verso.